A Quote by David Levithan
Long live protest songs, in whatever form they take.
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Because of my song 'Sam Stone,' a lot of people thought I was interested in writing protest songs. Writing protest songs always struck me as patting yourself on the back.
I love nothing more than to perform my songs in front of a live audience. And whatever I'm doing is driven toward finding or writing songs and putting out hit songs that drive people coming to see me live. Because, at the end of the day, that's what I enjoy the most.
... True, we are often too weak to stop injustices; but the least we can do is to protest against them. True, we are too poor to eliminate hunger; but in feeding one child, we protest against hunger. True, we are too timid and powerless to take on all the guards of all the political prisons in the world; but in offering our solidarity to one prisoner we denounce all the tormentors. True, we are powerless against death; but as long as we help one man, one woman, one child live one hour longer in safety and dignity, we affirm man's [woman's] right to live.
Fear is the greatest form of oppression. The best way to rise up in protest is to live your life to its fullest!
You sing songs hundreds of times over and over, but certain ones just morph and naturally, as you age and get life experience, take on a different form as well. When I was looking at songs for the album, I thought, "Which are the ones that connect with me the most? What do I think would work in album form?" Almost all of them I've done in shows.
I started writing my own songs from the time I was a little kid. I would write my own lyrics to other people's songs that I heard on the radio and take whatever song and make it about fairies and angels - whatever little girls sing about.
What my mom failed to understand was that I didn't even want long hair -- I needed long hair. And my desire for protracted, flowing locks had virtually nothing to do with fashion, nor was it a form of protest against the constructions of mainstream society. My motivation was far more philosophical. I wanted to rock.
Hip hop is the strongest form of protest there is, and it doesn't always have to be a violent protest. It can be romantic, also. When you listen to Kanye West's 'Street Lights' for example, there's romance, there's pain - you feel the essence. I get the same thing from Drake and 2 Chainz.
I understand it's my role to realize people's dreams. I'm O.K. with that so long as my songs are my own. No one can take my songs away from me.
We are looking at live pictures at this moment of a protest that is happening in Atlanta, Georgia, I believe, that has been assembled by the NAACP in protest, of course, of the shooting of Keith Lamont Scott.
You go to a protest, and you've got all these different groups saying things you don't necessarily agree with. If I went to a protest, my placard would have to be very long, explaining the ins and outs of my position.
There are still songs that I'm writing. I like to write. I like to take a long time to do my songs, not even the actual writing process, but conceptualizing, getting into the songs. That's why I stopped doing mixtapes.
So many famous iconic American songs are protest songs, and I think that the vast majority of artists will only continue to add to that body of work.
All equestrians, if they last long enough, learn that riding in whatever form is a lifelong sport and art, an endeavor that is both familiar and new every time you take the horse out of his stall or pasture.
I've always written songs to use music as a form of therapy or as a way to look at my obstacles or my memories from a different perspective. It's always helped me realize the grass isn't always greener and how I need to live more in the moment. My songwriting is a documentation of whatever's happening in my life at that point in time.
I try to make all my songs good. I don't ever write one to finish one. A lot of protest songs end up that way, driven by some kind of emotional response.
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