A Quote by David Levithan

I had no idea what I wanted, only that I wanted something, which is the worst kind of wanting. — © David Levithan
I had no idea what I wanted, only that I wanted something, which is the worst kind of wanting.
I knew I wanted to be some kind of artist from about 12. I met a neighbour who drew cartoons, and I had an idea I wanted to be a cartoonist - or something that involved Indian ink, at any rate.
I wanted to start something in New York that focused on making products locally, and because I'd just had my second child didn't want to be traveling halfway across the world anymore. The idea was to have something wearable that fit with my reality, which was being a mom with two young kids and not always wanting to wear jeans. I still wanted to wear interesting clothes, and the options out there I found were either very expensive or very cheap. There was a big gap in the middle.
To be fair, when I started doing 'Verdict' I literally had no idea what I was doing. I wanted to do some theatre, as I wanted to do something different. I wanted to learn and get an understanding of the craft.
I had no idea what I wanted to be when I was 17. I just knew I wanted to be something larger than myself.
I didn't have any set idea of what kind of filmmaker I wanted to be. I knew I wanted to tell stories that meant something to me, but I never said I was going to be the weird, avant-garde guy.
but it wasn't just about my feelings. The more I got to know you, the more I was certain that you'd do whatever it took to provide for your family. That was important to me. You have to understand that back then, a lot of people our age wanted to change the world. Even though it's a noble idea, I knew I wanted something more traditional. I wanted a family like my parents had, and I wanted to concentrate on my little corner of the world. I wanted someone who wanted to marry a wife and a mother, and someone who would respect my choice.
I mean I always wanted to get tattoos, that's why I got them kind of fast. Because I already knew what I wanted and kind of where I wanted to put everything at, just had to wait for the right time.
Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.
I decided I wanted to be a painter, and then that moved into wanting to be an animator. By adolescence, I just wanted it to be something that was important...something that would make a difference in people's lives or leave an imprint in history.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
The force with which he wanted it both ways made him grit his teeth. What kind of fool wanted it only one way?
We have often had this particular exchange about climate and landscape and why we both feel so lonely here uprooted. It was what each of us had wanted of course.Besides wanting to experience a place we hated, we wanted to be insomniacs and loners, losers and drop-outs. To know the sky was the only location of meaning and joy left to us.
Once I knew that I wanted to be an artist, I had made myself into one. I did not understand that wanting doesn't always lead to action. Many of the women had been raised without the sense that they could mold and shape their own lives, and so, wanting to be an artist (but without the ability to realize their wants) was, for some of them, only an idle fantasy, like wanting to go to the moon.
When we were kicking around the idea for Netflix in 1997, proving out an idea was expensive and labor-intensive. There was no Squarespace, no cloud. If you wanted a website, you had to build it from scratch. If you wanted an online store, you had to completely design it yourself.
I think I wanted to be a punk-rocker before I wanted to be anything else. I remember wanting a mohawk, and I wanted to cut the sleeves off of my jean jacket because I used to want to be Dirty Dan from Sha-Na-Na. This is before hip-hop was even around. I had the skinny piano tie. I had it, man.
I've always wanted my work to be more available. I had this vision when I was younger of wanting to replace all of the bad jewelry in mom and pop jewelry stores with good designs. [I wanted to offer] a range of crazy, experimental one-of-a-kind pieces that would have integrity and be made of great construction as well as interesting engineering.
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