A Quote by David Levithan

We are so used to releasing words. We don't know what to do with them if they stay. — © David Levithan
We are so used to releasing words. We don't know what to do with them if they stay.
We are so used to releasing words, we don't know what to do with them if they stay. No matter how many times we let them go, they come back. The words that matter always stay.
I believe that by releasing "passing interest/low keepsake-value literature" from the burden of physicality, you are actually releasing the words from their worst liability: the price and inconvenience of actual bookness.
For we let our young men and women go out unarmed in a day when armor was never so necessary. By teaching them to read, we have left them at the mercy of the printed word. By the invention of the film and the radio, we have made certain that no aversion to reading shall secure them from the incessant battery of words, words, words. They do not know what the words mean; they do not know how to ward them off or blunt their edge or fling them back; they are prey to words in their emotions instead of being the masters of them in their intellects.
I have used the words and expressions which my experiences from Minsk to Kharkov to the Don suggested to me. But I should have reserved those words and expressions for what came later, even though they are not strong enough. It is a mistake to use intense words without carefully weighing and measuring them, or they will have already been used when one needs them later. It's a mistake, for instance, to used the word frightful to describe a few broken up companions mixed into the ground: but it's a mistake that might be forgiven.
Yes and, you know, I can't use the nice words anymore because I used to chicken out by using them. I used to call myself plus size, used to call myself chubby. I used to call myself overweight.
When I was young, my father used to say, ‘If you are alive, there is hope for a better day and something good to happen. If there is nothing good left in the destiny of a person, he or she will die.’ I thought about these words during my journey, and they kept me moving even when I didn’t know where I was going. Those words became the vehicle that drove my spirit forward and made it stay alive.
I don't even know what words to use to talk about the music industry anymore. But the business has changed a lot - the methods of releasing music.
I love words very much. I've always loved to talk, and I've always love words — the words that rest in your mouth, what words mean and how you taste them and so on. And for me the spoken word can be used almost as a gesture.
I used to like the word of the day and when I read, highlight words that I didn't know and look them up.
It used to be that phrases and lines would come into my head, often many of them in a period of five days or a week, and maybe I didn't know what I was talking about, but the words had a kind of heaviness or deliciousness to them.
The best way to stay away from They is really simple. Stay with the people who have some passion. Stay with the people who know the truth. I like to find the They and turn them into We. I like to take the Theys and herd them. People that are skeptical, the Theys, I can bring them to We as much as I can.
With the first out breath, you are releasing worries, plans, mental tensions. With the second out breath, you are releasing physical tightness and tension. With the third out breath, you are releasing difficult emotions.
Poor Faulkner. Does he really think big emotions come from big words? He thinks I don’t know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.
If there are three words that need to be used more in American journalism, commentary, politics, personal life... it's the magic words 'I don't know.'
To be honest, I struggle with words. I often forget them, you know, the official ones. Instead, I make words up. I use home-made words that sound similar to the real thing. Usually, they're some sort of confused hybrid of two existing words.
Did you know that forty percent of the words used by Shakespeare were used by him only once?
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