A Quote by David Levithan

I text tiny a minute later. MADE NEW GAY FRIEND. And he texts back PROGRESS!!! — © David Levithan
I text tiny a minute later. MADE NEW GAY FRIEND. And he texts back PROGRESS!!!
I have a friend - I send her one text and I get 20 texts back. Guys don't want a million texts. It's exhausting.
I did my doctoral dissertation on the lectionary readings that we use at mass and how you have biblical texts that have been taken out of their original Bible context and put together for mass, and now they form a new text. Out of that new text, there is an interplay of new meaning.
I think that writing texts, publishing texts, selling texts in a physical book store is one of the important tools for breeding this new generation.
You can’t take back texts. If you come off all moody and melancholy in a text, it just sits there in your phone, reminding you of what a drag you are.
What progress have I made? I am beginning to be my own friend. That is progress indeed
There are no witches. The witch text remains; only the practice has changed. Hell fire is gone, but the text remains. Infant damnation is gone, but the text remains. More than two hundred death penalties are gone from the law books, but the texts that authorized them remain.
People say that text messaging is a new language and that people are filling texts with abbreviations - but when you actually analyse it, you find they're not.
The whole history of these books (i.e. the Gospels) is so defective and doubtful that it seems vain to attempt minute enquiry into it: and such tricks have been played with their text, and with the texts of other books relating to them, that we have a right, from that cause, to entertain much doubt what parts of them are genuine. In the New Testament there is internal evidence that parts of it have proceeded from an extraordinary man; and that other parts are of the fabric of very inferior minds. It is as easy to separate those parts, as to pick out diamonds from dunghills.
I made a couple of friends when I was a teenager who said I was funny. I used to send them very long texts; it was on a Nokia and always exceeding the text limit. But if I was making jokes in a group nobody was listening.
If someone puts you in front of a 30m high wall, tells you to get over it, and then comes back two years later and you're still there, you've made no progress. You should find another wall.
I think we've made tremendous progress on racism. We've even made progress on war. We've made almost no progress on poverty.
Generally, the imagery and the text go hand in hand. It's much easier when the text comes first, but sometimes I need visual stimulation in order to find the words. I get an idea of what I want when I begin to shoot, and the text is usually the last thing to be resolved. I tend to leave the text open, and I refine the words up to the last minute. As for the image, I can resolve that and get that done fairly quickly.
You have nothing if you're texting a guy in a relationship. We can text six women a minute. We can text it and push 'reply all.' I mean, since we're lying, we might as well lie to everybody.
All we can say is that, as the result of a process which went on from the fourth century to about the eighth, a standard type of text was produced, which is found in the vast majority of the manuscripts that have come down to us. At least ninety-six per cent of the extant manuscripts of the Greek New Testament are later than the eighth century; and of those only a handful preserve traces of the other types of text which were in existence before the adoption of the standard text, and out of which it was created.
So we start with an oversignifying reader. Those texts that appear to reward this reader for this additional investment - text that we find exceptionally suggestive, apposite, or musical - are usually adjudged to be 'poetic'. ... The work of the poet is to contribute a text that will firstly invite such a reading; and secondly reward such a reading.
The way to learn about a writer is to read the text. Or texts.
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