A Quote by David Levithan

We were painting by numbers, starting with the greens. Because that happened to be our favorite color. And this, we figured, had to mean something. — © David Levithan
We were painting by numbers, starting with the greens. Because that happened to be our favorite color. And this, we figured, had to mean something.
I like to write about painting because I think visually. I see my writing as blocks of color before it forms itself. I think I also care about painting because I'm not musical. Painting to me is not a metaphor for writing, but something people do that can never be reduced to words.
There were many words that you could not stand to hear and finally only the names of places had dignity. Certain numbers were the same way and certain dates and these with the names of the places were all you could say and have them mean anything. Abstract words such as glory, honor, courage, or hallow were obscene beside the concrete names of villages, the numbers of roads, the names of rivers, the numbers of regiments and the dates.
Why don't you have a room done up in every color green? This will take months, years, to collect, but it will be delightful-a melange of plants, green glass, green porcelains, and furniture covered in sad greens, gay greens, clear, faded, and poison greens?
Painting is drawing, with the additional means of color. Painting without drawing is just 'coloriness,' color excitement. To think of color for color's sake is like thinking of sound for sound's sake. Color is like music. The palette is an instrument that can be orchestrated to build form.
My favorite name for a color is "puce." It's kind of a dried blood color. It's a hideous color. But I love the word. It's so euphonic. But my favorite colors are lavender, purple, periwinkle blue, and white.
You’re going to tell me that last night shouldn’t have happened.” No. I’m glad it happened. For too long, I’ve been telling myself that I could spend all this time with yo and flirt with you and not have it mean anything. It does mean something. You mean something to me. But I’m not in love with you.
A color which would be 'dirty' if it were the color of a wall, needn't be so in a painting.
I like painting because it's something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I'm working on fifteen or twenty pictures at the same time. I do that because I want to - because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting.
All painting - the painting of the past as well as of the present - shows us that its essential plastic means were only line and color.
It's not fiction's job to be photographically representative of reality. If I want to make a fictional world where there's no kindness, this doesn't mean I believe there's no kindness in the real world. In fact, what it may mean is that I very much value kindness. Like if you make a painting in which only greens are allowed, it wouldn't mean you don't believe in blue.
I had things with numbers - because I love numbers - but it's not something I'm proud of. I'm proud that I was able to send them away, because you're much more present.
A lie was something you told because you were mean or a coward. A story was something you made up out of something that might have happened. Only you didn't tell it like it was, you told it like you thought it should have been.
Painting from life was incredibly important for me because it allowed me to train my eyes to see everything that is there. But I realized early on that painting from life wasn't something that I was all that invested in. I was always more interested in the painting than I was the people. For me, removing that as a compulsion offered me a lot more freedom to actually paint and think about color, form, movement, and light.
Our favorite teams bring people together, keep family members close, bond people from different generations. Some of the happiest moments of my life involve something that happened with one of my teams. Some of the best relationships I ever had were with Boston athletes that I never even met.
The older I get, the more I feel that color is what painting is. Painting is primarily color.
My generation had to be taken seriously because we were stopping things and burning things. We were able to initiate change, because we had such vast numbers. We were part of the baby boom, and when we moved, everything moved with us.
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