People were, in good faith perhaps, writing history books about the Indian working class, Indian peasantry, et cetera, and at no point did Communists make an entry, not even to be criticized. They were essentially being whitewashed from history.
There are two things in Indian history - one is the incredible optimism and potential of the place, and the other is the betrayal of that potential - for example, corruption. Those two strands intertwine through the whole of Indian history, and maybe not just Indian history.
I think that I altered history in 'Elizabeth,' and I interpreted history far more than Danny Boyle or Richard Attenborough did to 'Slumdog Millionaire' or 'Gandhi.' They took Indian novels or Indian characters and very much stayed within the Indian diaspora.
I am Indian, and I'm proud of it. Indian life is mythologically rich and powerful.
Be proud that thou art an Indian, and proudly proclaim, "I am an Indian, every Indian is my brother." Say, "The ignorant Indian, the poor and destitute Indian, the Brahmin Indian, the Pariah Indian, is my brother."
Not to say people shouldn't get rich from art. I adore the alchemy wherein artists who cast a complex spell make rich people give them their money. (Just writing it makes me cackle.) But too many artists have been making money without magic.
The following twenty years would be the nadir of American Indian history, as the total Indian population between 1890 and 1910 fell to fewer than 250,000. (It was not until 1917 that Indian births exceeded deaths for the first time in fifty years.)
In the history of Indian cinema I am the only South Indian director who has survived for 12 years and 25 films in Bollywood.
Artists look at the environment, and the best artists correctly diagnose the problem. I'm not saying artists can't be leaders, but that's not the job of art, to lead. Bob Marley, Nina Simone, Harry Belafonte - there are artists all through history who have become leaders, but that was already in them, nothing to do with their art.
The history of my life is the history of the struggle between an overwhelming urge to write and a combination of circumstances bent on keeping me from it.
Proficiency in art is a contract with your self and the empowerment of your self. Not all of us demand or even desire proficiency, but for those who do it's necessary to temper the influence of groups. And while some artists think history is bunk, the historical evidence is overwhelming: "In my isolation I grow stronger."
While working for Diplomat Records, I helped several artists with their online branding and social media. Once I left the label, I worked directly with artists and noticed many artists were overlooked and underrated if they weren't in 'XXL' or 'The Source.'
When you're working, you have so many people working around you and being involved. It can get a bit overwhelming. I've just gotten used to it.
If Iran seeks to meddle in domestic Indian politics by creating disaffection among the Shias of Uttar Pradesh, what better way to counter that by reminding all concerned that while the Shias maybe an important vote bank in U.P., they constitute only 10 per cent of Indian Muslims, while the Sunnis account for an overwhelming 90 per cent.
I want to get rid of the Indian problem. [...] Our objective is to continue until there is not a single Indian in Canada that has not been absorbed into the body politic and there is no Indian Question and no Indian Department.
The movies today are too rich to have any room for genuine artists. They produce a few passable craftsmen, but no artists. Can you imagine a Beethoven making $100, 000 a year?