A Quote by David Linley
I love wood. I love its permanence, its way of changing hue over the years, its way of expanding and contracting, of moving or aging and growing better and more beautiful with time.
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And that is the trouble with all lovers: they want more love, because they don't understand that the real desire is not for more love, but for something more than love. Their language ends with love; they don't know any way that is higher than love, and love does not satisfy. On the contrary, the more you love the more thirsty you become. At the fourth center of love, one feels a tremendous satisfaction only when energy starts moving to the fifth center.
You're beautiful, every part of you. I love your hair, the way it looks, the way it feels. I love touching it, smelling it. I love the way you wrinkle your nose when you laugh. It makes me laugh, too, every time. And I love watching you eat. Sometimes you can't shovel it in fast enough, but when you get interested in a conversation, you forget there's anything in front of you. God knows, I love making love with you. I can't even talk about that without wanting you. I love your pathetic attachment to those seniors. I love how hard you work.
I love fashion because it's plugged into the zeitgeist, so it's always changing. Thirty years ago, I could never have predicted I'd be where I am today, so I know I don't know what's going to happen in the next five years or the next 20 years. I have my predictions—I'm sure technology will continue to have an impact on fashion, particularly the way people shop. I think quality will be increasingly important—we're moving away from a time of fast fashion. But really, the only constant in fashion is that you must keep moving forward, otherwise you'll be left behind.
I work with pen and paper. That's my favorite way to write. I love the way the ink sinks into the wood, soaks into the wood pulp. There's something about that process that's so organic.
People say to you, 'you've changed', or something like that, well, I hope, for the sake of God, that you have changed, because I don't want to be the same person all my life. I want to be growing, I want to be expanding. I want to be changing. Because animate things change, inanimate things don&'t change. Dead things don't change. And the heart should be alive, it should be changing, it should be moving, it should be growing, its knowledge should be expanding.
I think I fell in love with you the first time I saw you, Molly mine. And when I look at you, that’s all I’m ever going to see, the woman I love. It doesn’t matter if you’re perfect. To me, you will be, and that’s all that counts. It’ll be that way always. Even years from now, when you’re old and withered, I’ll see you with my heart, not my eyes. That’s just the way it is when you love someone. The imperfections don’t exist. If you see them at all, you think they’re beautiful.
Over the years they both reached the same wise conclusion by different paths: it was not possible to live together in any other way, or love in any other way, and nothing in this world was more difficult than love.
I’m not fascinated by people who smile all the time. What I find interesting is the way people look when they are lost in thought, when their face becomes angry or serious, when they bite their lip, the way they glance, the way they look down when they walk, when they are alone and smoking a cigarette, when they smirk, the way they half smile, the way they try and hold back tears, the way when their face says they want to say something but can’t, the way they look at someone they want or love… I love the way people look when they do these things. It’s… beautiful.
I mean they don't seem able to love us just the way we are. They don't seem able to love us unless they can keep changing us a little bit. They love their reasons for loving us almost as much as they love us, and most of the time more.
I just love expanding my horizons and growing as an artist. The only way you get to do that is by doing something that scares you or takes you out of your comfort zone.
Don't shut love out of your life by saying it's impossible to find time. The quickest way to receive love is to give; the fastest way to lose love is to hold it too tightly; and the best way to keep love is to give it wings.
A secret love is beautiful, sweet and sacred when it's just a light infatuation; but when that person reaches over and touches you in the heart, making it alive in a way it has never known, that secret love becomes frightening, because you can never make them love you, you would never want to make them love you...but all the same, no matter which way you view it, they don't love you...and your heart doesn't know how to beat the same.
Everyone has something of beauty about them. But loving let's you look, and look, and look again. You notice the back of a hand, the turn of a head, the way of a walk. When you first love, you look blind and you see it all as the glorious, beloved whole, or a beautiful sum of beautiful parts. But when you see the one you love as pieces, as why's, you can love those parts too, and it's a love at once more complicated and more complete.
I just think that the way the industry is changing and the world is changing, it might make more sense in two years for bands to have a different band name every time.
I never in a million years thought I would be the person to go to for self-esteem; that was not my intent. But I happen to love beauty, I love the way people look, and I love making women look beautiful.
John Colman Wood's The Names of Things is a thoughtful, patient, and ultimately rewarding book. It's about, among many other things, the connections human beings make, that in spite of everything, we will always make. To quote from the book, 'What he saw in the people was what the old anthropologists called communitas. It wasn't that the people sang and moved. It was their singing and moving together' Singing and moving together, Wood has found a way to express this profound and beautiful idea through fiction.
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