A Quote by David Lloyd
I just sit at the drawing board most of the time. I am used to talking to people. I love going to conventions, getting feedback and talking to people. Some artists don't. Some artists sit at their drawing board because their personality actually dictates that.
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There are some millennial artists that I totally get and understand, and I know what they're talking about. People who I've worked with and who I'd like to work with. But there's a whole element of artists that I can't explain what they're talking about.
It's one thing to be sitting at a drawing board, alone in your home and coming up with a fantasy character, and drawing her whichever way you feel like drawing, then dealing with a real performer. All of a sudden, things change. It's amazing, in working with actors, how much I learn from them and how many new lines will come to mind because of their personality or their strengths.
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
Artists are those people who sit at the intersection between the known and unknown, the rational and irrational, coming to terms with some of the confusing histories we, as artists, deal with.
I always want to be doing both to travel as a teacher and lecturer, and to be a musician. I think in this generation institutionalizing the art form and spreading it to the younger generation through education is really important for all artists to have some hand in. Right now in popular culture and the mainstream, it's not a big part at all. I think education by young artists talking to young people, not just older people talking to young people, it gives an experience never felt before. I think over the years it will do a lot for the music.
I've always considered myself a graphic artists - a draftsman - as opposed to a typist. I do still work on a drawing table. At times drawing on a computer feels like I'm drawing on an Etch-a-Sketch.
Are some women and children going to die? Yeah. But it's doing the right thing. You got money, you sit around talking about peace. People who don't have money need some help.
The best artists are people who don't consider themselves artists, and the people who do are usually the most pretentious and annoying. They've got their priorities wrong. They're just doing it to be artists rather than because they want to do it.
Well, there's lots of different things going on at the moment, I'm in talks with some people from Japan to do something and I'm also talking to Hugo Boss to do a very small line, which I want to keep to just 10-12 pieces, but what I want to do is sit with the designers for a couple of days bashing some stuff out.
A lot of young artists in particular think you can just do one great thing and then sit back and collect checks. Most artists, even people like Dan Clowes, who's one of my heroes, don't just do comics. He does paid illustration. He writes screenplays, and so forth, working and selling lots of different things.
I don't like leaving work behind. I hate the idea that something might be happening on the drawing board at home that I am going to miss.
Growing up, my parents always played artists like Alanis Morissette, Aerosmith and Michael Jackson, so I just grew to love their music. And I just love so many diverse artists for different reasons; some for their instruments, some for their edge, some for their vocals.
The most mesmerizing of artists is always like one who was merely drawing in the sand and people came to watch.
I like Twitter, actually and I like Instagram and I like talking to people. Most weeks, I'll take a day, a morning or two out of my day and I'll sit and I'll just answer my tweets. You have to get back quickly. And I think that's important to let people know that you see them because they took the time to acknowledge me. And they took the time to if you want to be my fan and to follow me and appreciate what I do.
I think Pac is one of those artists that generations on generations know who this guy is, as an artist, as an activist, as an actor - entertainer across the board. I think the new generations of entertainers and artists can be influenced by him just as much as people in the '90s.
I don't like talking. It's how I'm built. Some people gab all day and some play it smogo. I don't mind talking or smiling, it's just I don't do it very much. I haven't got a smiling face or a talking mouth.
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