A Quote by David Longstreth
Kanye has this discursive way of working, getting input from a range of people, that I thought was really cool.
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I really, really love what I do, and there's nothing I love more than getting on stage and playing for an audience or working on a part, getting in front of the camera, and meeting all the cool people I get to meet, and going all the cool places I get to go.
I miss the old Kanye, straight from the 'Go Kanye, Chop up the soul Kanye, set on his goals Kanye, I hate the new Kanye, the bad mood Kanye, The always rude Kanye, spaz in the news Kanye...
As a kid, I always idolized entrepreneurs. I thought they were cool people in the way that I thought basketball players were cool people. It's cool that some people get paid to dunk basketballs, but I'm not one of those people.
As far as working with Kanye and Solange, that was amazing. After 'Swing Lo Magellan', I needed a change. Getting to work in that capacity, writing for other people and working for other people as a writer and as a person who's not representing it as the front person or whatever - it's such a different perspective you can get.
I'm mainly a dancer, but I've been offered to write songs on albums this year, and that's really cool. I never thought I'd get to do that. It's out of my comfort zone, but I loved having that input. It makes you feel more involved, when you have that creative control.
Kanye is producing in the true sense of the word. 'Real Friends' was an idea started by me and Boi-1da. We passed it off to Kanye, and Kanye kind of stripped it down and had Havoc add some drums to it. Kanye had the vision. That's really true-school production.
Kanye West is a brilliant poet and artist. He and I work in a very similar way. We feel the vibration, the power of something, and it inspires us to create, whether it is music or design. It is the same process. Working with Kanye is a joy and great privilege. In 2012, we did collaboration together.
I only think one person is really cool, and that's Kanye.
We have worked with a range of input approaches. We've worked with the range of mechanisms to drive immersion into the gaming experience.
When I got onto set with him we were given a folder of storyboards. I thought that was pretty incredible because I hadn't worked with anybody who used storyboards before so he obviously had a very precise way as to how he visualized the film from the very beginning. It was every scene, but to his credit he was incredibly collaborative and gave us many opportunities to have our own input and to change things with him, so it was a really great way of working.
The 'Being Human' people were really cool and let me improvise. They had such a good working atmosphere. It was a cool set-up and a really good environment to be in.
Kanye's the best. He really, really is. He's cool. And why we've always gotten along is because we can just sit down and talk about art.
I'm going to be working on my shot. Working on extending my range. Keep working on everything, and really studying the game.
I would say almost 60 percent of working with Kanye - let's say 53 percent of working with Kanye - is speeches.
I've really enjoyed working together with Apple to help launch their new streaming service. It is really cool to see Apple getting involved.
It's really cool to see how many people try to imitate me or wear my stuff. I get a lot of Instagram videos of people doing my entrance. I think that's so cool. To see the variety of people, little girls, guys, doing it. I never really thought that would happen. It's amazing.
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