A Quote by David Longstreth
There's been no two Dirty Projectors records that have had the same cast of characters every time.
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I made, like, five records as Dirty Projectors before I got out of college. And then I put a band together when I got interested in going on tour around that time.
Every Dirty Projectors album is a world unto itself.
Every drama requires a cast. The cast may be so huge, as in Leo Tolstoy's 'Anna Karenina,' that the author or editor provides a list of characters to keep them straight. Or it may be an intimate cast of two.
I've been very lucky to have had the opportunity to play a diverse cast of characters in the short time I've been a voice actor.
I had my guitar at the set of 'Lost in Space' every day. I was the only one in the cast who had a stereo in his dressing room. So while I was in school or when I was in there working with Dr. Smith and the robot, half the rest of the cast was in my trailer listening to their records that they would bring.
Dirty Projectors has always been a band that's been card-carrying modernists in terms of pushing different kinds of abstraction to the fore and trying to take them to the center of the culture or something like that.
Y'see, I get so bored so easily. I like to start with a clean slate each time. Sure, I'll have characters drop in and out of books but the main cast of characters always changes. Maybe I'm wrong but I think if had the same joe detective guy or gal, I wouldn't write them as well; I wouldn't do as good a job.
There's two kinds of dirty - dirty and sewer-dirty. Danny Ferry is sewer-dirty and has been ever since he was at Duke.
I made records in the past that are as traditional as any other country records that have been made, but at the same time the records have a contemporary slant on it too.
Sure, I'll have characters drop in and out of books but the main cast of characters always changes. Maybe I'm wrong but I think if had the same joe detective guy or gal, I wouldn't write them as well; I wouldn't do as good a job.
There's actually a time when I got cast in something and it was announced that someone else was cast. I hadn't been told yet if I had the role and I had a breakdown because I really wanted it and it was announced on this website that this other girl had gotten it. I was so sad and called my agents and said, "You guys didn't tell me this other person got the role!" They were like, "No, they haven't decided yet." Then two hours later I got the call that said I had the role.
Working on 'Downton Abbey' is amazing, but there's an ensemble cast of between 18 and 21 actors. With 'Love Life,' there are two couples and a few other key characters. As a smaller unit, you've got to take more responsibility - at the same time, you can have more ownership of the direction it's going in.
So, it's a delicate thing, but at the same time our producers and writers are very much aware of the potential downfall that could ensue so I think they're going to be very careful about how they do that. At the same time I don't think they want to leave the characters in the same holding pattern that they've been in for a while. I think that they're all trying to put the characters in a different situation.
John Huston was the kind of director that totally left you alone. Not every actor always does it right, every time, but most of the time he was re-directing someone. He was making tight adjustments, and not even in terms of interpretation because he knew that by the time that the character had been filmed... well, he got it right when he cast you.
Death and resurrection are what the story is about and had we but eyes to see it, this has been hinted on every page, met us, in some disguise, at every turn, and even been muttered in conversations between such minor characters (if they are minor characters) as the vegetables.
Nobody knew if the pilot would even get picked up because it had two gay lead characters, which has never happened before. And now every show has at least two gay characters, if not many more.
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