A Quote by David Longstreth
I loved 'Nothing Was the Same' so much. For me, that was the first Drake record that I got into.
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My first record I ever got was 'Full Moon Fever.' My dad gave me a copy when I was maybe nine years old or something. And I listened to the heck out of that record. I loved that record.
When the first record came out, I'd go down to radio stations pretty much every day to get the record played, and I would walk in and they'd tell us how much they loved the record, but they weren't sure how much they could play it because they were already playing a girl.
When I first got my record deal, I was like, 'I just want to sing,' and I never put much thought into what really goes into a record. But as I got older, I developed a passion for writing.
I met Arcade Fire on their first record, 'Funeral.' I loved that record, and it was a record I was listening to while I wrote 'Where the Wild Things Are.' Those songs - especially 'Wake Up' and 'Neighbourhood' - there's a lot of that record that's about childhood.
I don't listen to Drake. That's not a shade to Drake. I don't know who Drake is for, but it's not for me.
The first memory I have was my sisters dancing to the radio when they played records by Benny Goodman and Harry James and of the sort. But the record that got me was a record by Derek Sampson, who was a young guy, called 'Boogie Express,' and it was boogie-woogie. Really, it was on fire, and that got me.
I'd love to work with Drake. I got Drake beats.
When I first came to New York I was a dancer, and a French record label offered me a recording contract and I had to go to Paris to do it. So I went there and that's how I really got into the music business. But I didn't like what I was doing when I got there, so I left, and I never did a record there.
The first record I heard as a kid? My dad is a great soul and blues fan, so he showed me James Brown. That was my first stuff, and I loved it.
My first decade of living in a metropolis was like, I was a people watcher. It meant the world to me to talk to strangers. I got excited about the fifth time I'd see the same person in the same bodega. I loved getting to know a certain clerk or barista. It took on a whole big meaning for me because of that atomization that suburban people do start to feel.
When it all started, record companies - and there were many of them, and this was a good thing - were run by people who loved records, people like Ahmet Ertegun, who ran Atlantic Records, who were record collectors. They got in it because they loved music... Now, record companies are run by lawyers and accountants.
Justin Bieber is signed to Def Jam, and I don't believe in touching nothing that ain't mine. I want someone to give me the same respect - don't touch nothing that's mine. I still want what I want. But Justin Bieber is definitely a friend of a family. Me, Drake, Wayne. We rock with the little homie, so he a part of us in heart.
I met Drake officially for the first time two years ago at a Wiz Khalifa concert in Toronto. I was with Rich Homie Quan. Rich Homie Quan introduced me and Drake and he said I had good beats.
When we've got something to say to the world, we will. I'm really happy that people are interested. "So, what's up with the Pixies record? So, what's up with the Pixies record?" One guy just kept asking me and asking me in an interview, and I kept saying, "I just got done telling you no, there's nothing to report."
I've heard of Francis Drake and Ted Drake. But I don't know who Drake is.
I was one of the lucky people who found what I loved at a really young age. When I was 16, I got my first job in a Portuguese soap opera, and I realized how much I really loved it.
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