A Quote by David Longstreth
I remember when that Kelis song 'Milkshake' came out, and just how extreme it seemed in terms of that really high triangle part and then the really low subs and then her voice in the middle.
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Milkshake' was my theme song as soon as it came out. I think I was 13. I just love Kelis. Full stop.
I wasn't really geeky. In terms of the high school hierarchy, I was very much in the middle ground. You have the really popular guys, you have the nerdy guys, and then you have the people who really don't care - and that was me. I wasn't really picked on or anything like that.
[A]s soon as you try and take a song from your mind into piano and voice and into the real world, something gets lost and it's like a moment where, in that moment you forget how it was and it's this new way. And then when you make a record, even those ideas that you had, then those get all turned and changed. So in the end, I think, it just becomes it's own thing and really I think a song could be recorded a million different ways and so what my records are, it just happened like that, but it's not like, this is how I planned it from the very beginning because I have no idea, I can't remember.
With Scarlett Johansson, I always thought she was pretty, but then when I heard her sing, there was just something about her voice that made her really, really attractive to me. And I think she would be fun to hang out with.
I really had a rough time in middle school. Middle school to me was the way most people explain high school. Then in high school I had a blast. I basically did everything that you would do in high school or in college, so it really wasn't a difficult thing to pull out.
Well I’ve been doing it for about twenty years, I did films when I was a little kid, when I was about six or seven, I was in films and I had this really high voice, I did a series called Dinobabies, that was my first one. And then after that I did Madeline, yeah so it just kind of happened and then never went away. Then everyone said your voice is going to change and you’ll be out... No, no, still on helium.
I put out my first song, 'The Other,' in 2015 just on Soundcloud. It was always my most popular song but never really went far in a mainstream way. Then, a couple years after it came out, I watched it go from 8 million to, like, 100 million.
I still struggle with my low notes. It's just always been something for me: I'm not a low singer. I have a really high voice.
I had a hole in my voice. It's an area in the voice where it's air. It's just - there's no - it's just very airy. And my classical teachers were just so frustrated with me because I would have these deep, low notes that were really strong, and the higher register was strong, but right in that middle area, it was really hard. It was like a passage. And many singers go through this and work it out. But I realized in jazz, I could just take advantage of that and take advantage of having a voice that was very different in different areas.
So basically, it just really represents our band and we didn't even think about that when we decided to call it 'Warpaint'. And then through getting asked questions about "why is that song called 'Warpaint'?" - then we realised, "oh my god! THAT'S why!" And we didn't even know why... but that's why! And then 'Shadows' is just... I love that song and it's personal to me. I love how it turned out!!
Normally what I do is I'll record something that I really like which will be part of a song or an idea. I kind of just record things and then I'm done with them. It takes discipline to actually carve out a song.
The first 'Blackout!' just started out with us doing the first song, 'How High' - I guess it was 'How High' - and then it just took off from there.
Her eyes were distant, and she seemed to be listening to that voice that first told her the story, a mother, sister, or aunt. Then her voice, like her singing, cut through the crickets and crackling fire.
I learned to play guitar on my lying back while I was bed-ridden. I only thought to record the songs because sometimes I would I couldn't remember what I had just done. Eventually I started singing, because I thought if I sang it that would help to remember even more. But I wasn't trying to sing. And then one day-this is really weird -I just wrote a song. It came out at a rapid rate and I recorded it and I listened back to it and was like "Wow, it's a tune."
The Fun Girl video which was directed by Bijoux Altamarino really came out of her vision. I feel she understood the mystery, danger and power of the song and It really came through in the end.
I'll know when a song's really awesome, for sure, and I get super stoked, and I'm so high when I'm hearing it back, but then you sit with the record forever. You're mixing it, and you can really just over-think everything.
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