A Quote by David Longstreth
Every Dirty Projectors album is a world unto itself.
Related Quotes
There's been no two Dirty Projectors records that have had the same cast of characters every time.
No country can be an island unto itself or world unto itself. Not even the biggest country.
Every album is unto itself, so whatever sounds we need to come up with, like way back when, we needed horns. So we invented the Lone Wolf Horns, and we learned how to play horns.
One thing that I've often done under the Projectors is build an album from a central conceit.
There's this Method Man album called 'Tical.' It's his first album. I would just listen to that every day, because the album feels like, if it were a film, it would be black and white. It feels like there's a war percolating throughout the album itself. It's dark, and it has a nice forward pace to it.
I've always loved cuneiform; I've always loved the way it looks. I love that it's the world's oldest script. And the creative potential of bad translation or misunderstanding or something has always been at the core of the idea of 'Dirty Projectors.' So the cuneiform is pretty playful - basically, just a joke.
Out in Hollywood, where the streets are paved with Goldwyn, the word "sophisticate" means, very simply, "obscene." A sophisticatedstory is a dirty story. Some of that meaning was wafted eastward and got itself mixed up into the present definition. So that a "sophisticate" means: one who dwells in a tower made of a DuPont substitute for ivory and holds a glass of flat champagne in one hand and an album of dirty post cards in the other.
When it comes to music, I am a dictator. Making a Dirty Projectors record come to life is like making a movie; I'm the one that makes the picture, and then we all figure out how to realise it.
I do have my more concept-y albums, and then I have the ones that are more about just collections of songs. For me, the first Dirty Projectors record that I put out was like that: 'The Glad Fact.'
I made, like, five records as Dirty Projectors before I got out of college. And then I put a band together when I got interested in going on tour around that time.
Dirty Projectors has always been a band that's been card-carrying modernists in terms of pushing different kinds of abstraction to the fore and trying to take them to the center of the culture or something like that.
A voice expressing emotion in a musical way moves on. It's like the finale of the movie 2001: A Space Odyssey (1968) - the world turns in on itself, as a universe unto itself, in the shape of one human being.
I'm supportive of women, absolutely, and it's so gratifying to have girls come up and say, 'I'm really inspired by your guitar playing.' I mean no disrespect to the sisterhood, but musically I feel more drawn to things like Dirty Projectors, the National and Grizzly Bear.
Every configuration of people is an entirely new universe unto itself.
The attitude of 'every nation unto itself' is a destructive one for the future of Israel.
My album is called 'Zero to Infinity' and none of my songs are going to have cheap, dirty lyrics. Every song, in a way, is a women empowerment song. Every song, even if it's a dance track, you'll be dancing on it, but it's the right thing.
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