A Quote by David Lovering
Playing music in front of thousands of people never bothered me. It was only when I started putting on magic shows in front of a much smaller audience that I would begin sweating bullets, so I'm much more focused now.
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What I love most about playing in front of people has something to do with a certain kind of energy exchange. The attention and appreciation of my audience feeds back into my playing. It really seems as if there is a true and equal give and take between performer and listener, making me aware of how much I depend on my audience. And since the audience is different every night, the music being played will differ too. Every space I performed in has its own magic and spirit.
When I perform in front of large audiences, I'm much more comfortable, because I've already performed in front of tiny audiences - which is much harder, honestly. The smaller you strip things down, the more you depend on the songs and yourself, as opposed to arrangements.
If I started at 13, by the time I was 14 I was already good enough to play in front of people. I started off playing drums when I was 5, so playing in front of people didn't matter - not a problem.
When I first started playing, I definitely had a younger scum-punk crowd, but as my music developed more and after I started playing electric guitar - you'd think it would be opposite - but a lot of people were like, "You've changed." And I have more of an older audience now.
As quiet as I am I find it amazing I can stand in front of hundreds of people now and make a speech because i've had to do it so much. I've so much support from the people around me that I can achieve something like that, crazy introvert that I am, I never would have thought that would happen.
It never bothered me when people would say, 'You only win championships because you're playing with Shaq.' It bothered me when he said it.
When I first started out wrestling in front of 100 people, I thought, 'Chelsea, you're better than this. You should be working in front of thousands!' But I was crazy.
I definitely prefer the single camera better. For me it's the simple fact that I enjoy working in front of an audience, but when you're trying to create a suspension of disbelief it's much harder to do in front of audience because they become a partner. Moreso than that, they become in charge of the timing. From the simple, mechanical fact that you have to hold for their laughter. The actual timing of the scene is in the hands of the audience. As a control freak, I don't enjoy that as much as the ability to be able to control it in an edit room.
I can only speak for myself but for me imagination and invention cannot generate something more important, more beautiful and more terrifying than the common object, amplified by the attention that we give it. An object alone, in front of me who is alone, exactly in front of me just as I would like to have in front of me someone who really interests me, in a good light to better observe it.
I was so afraid to even read a paper in front of my classmates. It is very funny because at that point my teachers would never have believed that I could speak in front of an audience of over 2,000 people.
I've always had a thing for playing in front of people, and the nerves never really creep in too much for some reason for me.
Performing live in front of an audience is such a matter of will - all of those things you can do just fine in your basement, suddenly you have to do them in front of hundreds or thousands of people, and it becomes a different matter entirely.
You would never dream of going on to play a scene in front of an audience at least without having rehearsed it. But you do somehow in front of a camera.
Sometimes it's easy to do brave things in front of a thousand people, but it's hard to do them in front of a handful. It feels so much more exposing.
I was never super comfortable playing music in front of people anyway. Now I enjoy it, but it wasn't the easiest thing to get past.
We were in front of a live audience and I would be acting with the man who was playing my lover, and we used those words, and the audience would titter and laugh, and make me uncomfortable doing the scenes. ... I wanted to sort of stop and yell at them, "What's so funny? What's the matter with you people? Grow up!" It made me very self-conscious at times.
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