A Quote by David Luiz

It seems strange that some artists fear a blank canvas, when it has been a major contributory factor to great paintings. — © David Luiz
It seems strange that some artists fear a blank canvas, when it has been a major contributory factor to great paintings.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
The spot paintings, the spin paintings, they're all a mechanical way to avoid the actual guy in a room, myself, with a blank canvas.
Many painters are afraid of the blank canvas, but the blank canvas is afraid of the truly passionate painter who dares-and who has once broken the spell of 'you can't.'
Just dash something down if you see a blank canvas staring at you with a certain imbecility. You do not know how paralyzing it is, that staring of a blank canvas which says to the painter: you don't know anything.
As an Anglo-Indian kid in Bolton, I was basically in a minority of one. That was a source of misery, but at the same time, one of the effects of receiving the message that you don't belong to the club is that you watch the club with detachment. The fact that no one quite knew who I was was a major contributory factor in starting to write.
... a canvas that I have covered is worth more than a blank canvas. My pretensions go no further; that is my right to paint, my reason for painting.
You wind up creating from silence, like painting a picture on a blank canvas that could bring tears to somebody's eyes. As songwriters, our blank canvas is silence. Then we write a song from an idea that can change somebody's life. Songwriting is the closest thing to magic that we could ever experience. That's why I love songwriting.
The Republicans initially sort of saw George W. Bush as a blank canvas, didn't they? It seems like they interviewed him when he was governor of Texas to see what kind of candidate he could be.
'The X Factor' seems to be more about building up personalities and people in tears. And it's not a new idea. The pre-Beatles pop world was full of manufactured pop stars. The thing is that you can't imagine any of the artists you look back at and admire ever going on 'The X Factor.'
If you look at the paintings that I love in art history, these are the paintings where great, powerful men are being celebrated on the big walls of museums throughout the world. What feels really strange is not to be able to see a reflection of myself in that world.
I want to make beautiful paintings. But I don't make beautiful paintings by putting beautiful paint on a canvas with a beautiful motif. It just doesn't work. I expect my paintings to be strong and surprising.
Some artists will tell you that's all they want to do is write their own music, and that's great, but George Strait, Kenny Chesney, Tim McGraw, Garth Brooks, they didn't write everything they recorded, and they've had major, major careers. I think it's all about the best song.
If life is a blank canvas and all people are artists, the big challenge we all face may be expressed this way: Will we ultimately produce something approaching a masterpiece, an acceptable but not particularly memorable work of art, or a creation that wouldn't even be purchased at a yard sale?
I don’t like to talk about what my paintings mean since they are so personal, so I like to leave it up to the viewer’s interpretation. It’s very strange to pour your heart out onto canvas and then put it on display for the whole world to see.
I don't go into the studio with the idea of 'saying' something. What I do is face the blank canvas and put a few arbitrary marks on it that start me on some sort of dialogue.
I have a vision of artists putting into film, drama, literature, music, and paintings great themes and great characters from the Book of Mormon.
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