A Quote by David Lyons
The thing about romance and romantic movies is that they can be somewhat melodramatic. For a lot of actors, there's a certain cringe factor that's involved with that.
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More than just romantic comedy, I like romances: drama romance, romance comedy, comedy romance. I also go to the movies to escape. There are times when you go to learn, when you go to be moved, you go to be transported, and there are really times when you go to escape. And I personally escape more happily into a romance than I do violent movies.
A lot of what 'Funny Girl' is about, for me, is the experience feeling very happy doing a certain thing with a certain group of people. That partly came about because of having really positive experiences writing movies.
I've been lucky enough to have a lot of romantic leads in movies and indies, and you do form a different kind of connection when you do that together as actors.
Communication is the key, and it's one thing I had to learn-to talk to the actors. I was so involved with the visual and technical aspects that I would forget about the actors.
I really don't see anything romantic in proposing. It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why, one may be accepted. One usually is, I believe. Then the excitement is all over. The very essence of romance is uncertainty. If ever I get married, I'll certainly try to forget the fact.
I think there are a lot of people who are involved in the Tea Party who have very real and sincere concerns about spending that's out of control or generally philosophically believe that the government should be less involved in certain aspects of American life rather than more involved. And they have every right and obligation as citizens to be involved and engaged in this process.
People like to see certain actors do certain things, and people like to see me play that role. I also have no interest in playing a normal girl in a romantic comedy in some cutesy thing.
When we are in our dorms, we watch romance movies and dramas. When a romantic scene comes on, we hold on to each other and scream.
Romance: That's one of the things that makes Spider-Man really unique, in terms of the comic books. There is a tender, romantic quality to it. And certainly, that's something that's always fascinated me about the cinema: good romance.
Sometime you will find, even as I have found, that there is no such thing as romantic experience; there are romantic memories, and there is the desire of romance- that is all. Our most fiery moments of ecstasy are merely shadows of what somewhere else we have felt, or of what we long someday to feel
A lot of actors say that theater's the thing for them. And that's great, and I'm not one to speak with any authority about it because of not having done it properly. For me, movies are what I love.
I think the Congress will do the right thing. I think that they've - you know, they got into certain arguments and they start worrying about assessing blame, and there is a little demagoguery, but in the end, something this important, they'll do the right thing. So this really is an economic Pearl Harbor. That sounds melodramatic, but I've never used that phrase before. And this really is one.
I jabbered too much in class about all the Russian writers whom I admired for being, among other things, uncouth and somewhat humorously melodramatic, such as Gogol and Dostoyevsky, just as it was in my own household when I was growing up.
I read certain articles about how all of the new filmmakers are immediately being given massive tentpoles, and there's a lot of original movies that we have now lost as a result of this. I don't want to call it a fad because I think it's a good thing. I think the movies are better as a result.
See, the thing that bothers me with young actors, young actors of color specifically, is that they see movies and television, and they figure that's all it is to it. They have no respect for the craft. They want to be, you know, movie stars or whatever. And I worry that we're losing a certain quality, you know?
It's the contemporary woman that movies don't know what to do with, other than bathe her in a bridal glow in romantic comedies where both the romance and the comedy are artificial sweeteners.
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