A Quote by David MacKenzie
Signature film-making seems rather dull to me; it's about finding something you can do something with and running with the ball.
Related Quotes
The biggest misconception about me is perhaps that I film all the time and film everything randomly. The truth is I film very little and always when something excites me and seems to mean something for the film.
Many kids and parents ask me, 'What kind of guitar can I buy?' It's a great opportunity for those people to be able to buy a quality guitar that's not necessarily a little Fender or whatever. Ernie Ball signature model guitar is something that's more signature.
Simplicity is not about making something without ornament, but rather about making something very complex, then slicing elements away, until you reveal the very essence.
For me, movie-making is more than making a 'hit' film. It's about working with a team of people I really respect and doing something that gives me satisfaction.
I wanted to play running back, but they would never put me at running back. I started loving receiver and as I kept growing older, we kept throwing the ball more and I kept liking it more and more. It's something I've played all my life. It's something I've gotten better at each year.
That song [You Got To Make It Through The World] came from a vibe I picked up from an old blues singer named Bo Carter. My lady was making a film as a thesis for U.C.L.A. and she wanted me to write a song to depict this character. The movie had something to do with bootlegging and stuff like that. I found this Bo Carter record and he was just saying something about making it to the woods or something like that.
You understand reality while everyone else is running around confused and angry and upset because they think reality is something happening to them rather than something they are making every moment with every thought.
My sense is that you can make a film under almost any circumstances. As long as someone has a vague idea of what he's doing, something distinctive will emerge. That, to me, is what film making is all about.
I used to be concerned about style, worried about my work looking like a bad copy of someone who's better than me. So my embracing of the research and finding a way to replicate something consciously rather than replicate something unconsciously seemed like a way to go to distinguish what I do.
There seems to me to be something admirable, indeed noble, about the people arguing over Richard III. They're doers rather than naysayers, romantics rather than realists, people looking for meaning rather than numbness.
To talk about photos rather than making them seems idiotic to me. It's as though I went on and on about a woman I adored instead of making love to her.
Making a film, it uses a certain... 'pretend-muscle,' I don't know what you want to call it. It exhausts something in me, I find. It has to be really something to get me interested.
When making a film, I'm never concerned about whether the theme is new or whether it's been done before in cinema or not. I'm led to make films if there's a theme that interests me or I experience something in my own life that confronts me with something that I want to deal with.
Dunking is something guys care more about than girls, There's something about jumping that seems to fascinate guys. Girls are more, like, 'As long as the ball goes in, who cares how you got it there?'
For me, it's always just been about finding material that I think is creative and interesting and fun and something that can expand me and that I can hopefully do something with.
I always tell people go see something you don't know about. Something you didn't read a ton about on the internet. Something that you don't know what's going to happen because I think that kind of pleasure of finding something new and discovering it, creates a hunger in you.
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