A Quote by David Maisel

With the mining sites, I found a subject matter that carried forth my fascination with the undoing of the landscape, in terms of both its formal beauty and its environmental politics.
Diversity is power on the Web. Big sites may be bigger, but smaller sites will keep scoring higher for specialized topics, both in terms of their connections with users and in terms of each visit's commercial value.
[The rhetoric] is trying to avoid [the truth that ] the U.N. formally found that the whole thing is illegal, never even mentioning that Ecuador made a formal assessment through its formal processes and found that yes, I am subject to persecution by the United States.
It's interesting because with a lot of people who I've met in comedy, it seems not to matter what your background is. In terms of formal schooling - I feel like that's a nineteenth century term - but in terms of where you went to high school or college, or wherever, all that really is irrelevant, I have found, in comedy.
I'm a great looker at pictures and paintings, and so forth. That's what I look for - a kind of formal beauty. I want that in my photography. It isn't always what we conventionally think of as beauty.
I'm a fan of Tom's of Maine natural oral care line for those very reasons; they deliver on both healthy and environmental goodness. The beauty of it is you'll feel even more empowered knowing you're doing something good for yourself and the environmental footprint of your beauty routine.
I am afraid that I think both the near future environmental reality and political landscape are not looking good - and they are connected. The best tool we have for advancing environmental solutions is our democracy, and we can't currently access it because it has been so thoroughly hijacked by big corporate interests.
[The Neon Demon] was more my own fascination with beauty. It's my children's fascination beauty.
He lay listening to the water drip in the woods. Bedrock, this. The cold and the silence. The ashes of the late world carried on the bleak and temporal winds to and fro in the void. Carried forth and scattered and carried forth again. Everything uncoupled from its shoring. Unsupported in the ashen air. Sustained by a breath, trembling and brief. If only my heart were stone.
I want to make it clear,if there is ever a conflict [between environmental quality and economic growth], I will go for beauty, clean air, water, and landscape.
I don't think that people are disinterested or uninterested in politics. I think very often they are disengaged from the formal political process. To some extent they are suspicious or even despairing of formal politics as a means to give expression and effect to what they want.
Any director who's willing to be brave not only in terms of subject matter but also in terms of being emotional and moving you is what inspires me.
Painting allows me to use other portions of my brain pleasurably. Irony plays no part in what or how I paint. I paint the particular subject matter not to make polemical points but because I am interested in the human imprint on the landscape. I paint the landscape of my time and place with the stuff in it.
What this brings out is that modern politics cannot be a matter of genuine moral consensus. And it is not. Modern politics is civil war carried on by other means.
The subject matter that I am really spending my time on has become an acceptable subject matter. Living, lifestyle, family, is now in the forefront of interest in America, and I've just stuck with it. I mean, I've been doing this for years, and I never got angry. I never said, you know, listen, I'm fighting for this subject. That wasn't my point. My point was to continue working in a subject matter, knowing full well that finally it would be recognized as a viable subject once again.
Matter is capable of infinite subdivision...All matter is in a state of perpetual activity [motion], whether the substance under consideration be inanimate or animated, visible or invisible...There is no dividing of matter and force into two distinct terms, as they both are ONE. FORCE is liberated matter. MATTER is force in bondage.
I'm interested in the landscape of the face, the way in which light and shadow fall across the forms. That's really my subject matter.
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