A Quote by David Mamet
A novel it's different. It's kind of exhilarating not to have to cut to the bone constantly. Oh, well I can go over here for a moment. I can say what I think the guy was thinking or what the day looked like or what the bird was doing. If you do that as a playwright, you're dead.
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There's a kind of edge to what you're doing, the kind of leading edge of what you're doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. "I've pulled that one out before. Oh, no, I can't I'm just fed up with that. Let's do something else."And you always think "Oh my God I've never done anything at all like that before." But, of course, in retrospect, and to an outsider, they'll say, "Oh, yeah that's typical Eno.
In animation, there's this exhilarating moment of discovery when you see the film and you say, Oh THAT'S what I was doing.
I became a vegetarian in 1995. I had some fried chicken, and my teeth hit the bone. My mind said, 'Dead bird, dead bird.' It didn't feel right, so I stopped. I kept eating fish until one day, in 1997, the chef brought my ginger-fried snapper with the head still on it.
I don't have my novel outlined, and I have to write to discover what I am doing. Like the old lady, I don't know so well what I think until I see what I say; then I have to say it over again.
I always think that I love doing what I'm doing at the moment. The past is over. I can't go play one of those characters again. But I can play this and I can continue to grow in what I'm doing at the moment and that's really what I'm thinking about now.
It's kind of glorious to say, "Oh man, this guy had his career cut short." I'm not calling myself Sandy Koufax by any means. I'm not in that caliber at all, but sometimes it has to end different.
I remember, my very first day at a new school, a bird pooped all down my back. It was like any other day of school except everyone was like, 'Oh my God, you're from the movie 'Big Daddy,'' and I had bird poop all over me.
I love reading different scripts and helping create different looks, different environments. Sometimes you go to meet a director over a particular script, and they'll say, 'I want you to do this because I want it to look like Shawshank,' and I'm like, 'Well, I'm not that interested in doing that again.'
I try to think of acting in terms of thinking and doing. People think of it as, "Oh, let's get inside this guy." They think that acting is being, or feeling, or emoting. It's as much doing. One of the first things you do as an acting student is ask, "Can you say words and do a task at the same time, like sweep a floor?" You get to watch the human condition, and there's always a "doing" aspect of it. This couple, they're carrying backpacks, where are they going? Students? Or are they carrying instruments? It stimulates the imagination. So acting is doing ... and I forget how we got off on that.
Well, I'd say all of us are a combination of moods and emotions. In my day to day life I don't go around skipping, but at times one can feel sheer exhilarating joy at the world.
Well, Id say all of us are a combination of moods and emotions. In my day to day life I dont go around skipping, but at times one can feel sheer exhilarating joy at the world.
In a world where people die every day, I think the important thing to remember is that for each moment of sorrow we get when people leave this world there's a corresponding moment of joy when a new baby comes into this world. That first wail is-well, it's magic, isn't it? Perhaps it's a hard thing to say, but joy and sorrow are like milk and cookies. That's how well they go together. I think we should all take a moment to meditate on that.
I'm always amazed... I took my 11-year-old to an oceanography camp, and these girls came over to me, and my son was like 'Oh here we go, Dad,' because they had been looking. They were like, 'You're the guy, aren't you?' And I said, 'Well, maybe.' They said, 'He is, he's the guy on 'Charmed!'
I'm always amazed... I took my 11-year-old to an oceanography camp, and these girls came over to me, and my son was like 'Oh here we go, Dad,' because they had been looking. They were like, 'You're the guy, aren't you?' And I said, 'Well, maybe.' They said, 'He is, he's the guy on 'Charmed!''
Every once in a while I'll say something...I dropped the F-bomb early on in my career. There was this lesbian couple and they looked super-hip. One of them looked at me and shook her head, like "Don't do that." I think she was doing it to say, "It doesn't work." She didn't say anything but it was this cautionary moment. I knew it didn't work. There are just so many other words to choose from.
When I photograph, I do not think much. If you looked at my contacts you would ask yourself: "What is this guy doing?" But I keep working with my contacts and with my prints, I look at them all the time. I believe that the result of this work stays in me and at the moment of photographing it comes out, without my thinking of it.
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