A Quote by David Mamet
The correct unit of study is not the play; it is the scene.
Related Quotes
I've always felt that the basic unit of writing fiction is the sentence, and the basic unit of the screenplay is the scene.
When you're doing a play and you're afraid of a scene, that's the scene you should embrace, because that's the scene that will tell you something about the play.
He had made a passionate study of education, only to come, gradually, to the knowledge that education is nothing but the process of building up, gradually, a complete unit of consciousness. And each unit of consciousness is the living unit of that great social, religious, philosophic idea towards which humankind, like an organism seeking its final form, is laboriously growing.
I actually went to see 'Rushmore,' and I came late, and I missed myself. It was great, that scene. I caught that scene the other day on TV, funny enough, the first scene that you see with Jason Schwartzman and myself, where we talk about his grades. That's a brilliant scene, and I have to say, we play it brilliantly.
We meet before the movie and she gives you charts with sounds on them and makes a tape of examples. While they are setting up the scene, I go with her to the trailer and we go through the scene and correct the speech.
During the football scene in the Point Break they were playing, and I wasn't slated to be in the football scene. I was like, "I want to play!" So they said, "Go play." It was just a gas. There was a responsibility of being the leading lady - there's a responsibility to that.
You cannot conceive the many without the one...The study of the unit is among those that lead the mind on and turn it to the vision of reality.
If one's careful study of the facts shows that the Catholic Church is correct about Jesus-his life, teachings, death, and Resurrection-then why not give the Church the benefit of the doubt and carefully study her reasons for rejecting contraception, homosexual acts, and women's ordination?
I often tell my students that you can't worry about the end of an improv scene because the end is not up to you. You just play as hard as you can until someone changes the scene. The scene has changedthe end is not up to us.
Action game players make more correct decisions per unit time. If you are a surgeon or you are in the middle of a battlefield, that can make all the difference.
You are preparing yourself for a scene, and the most important thing is to remain emotionally available and remain in the moment with your scene partner. You don't want to let your own self-consciousness block the flow of creativity that's coming out so that you can act and react, and play what the scene is all about.
You are not just, "This is the way I play it every night." You are constantly finding new ways in, new attacks, "I want to try it this way. Maybe this scene is affecting that scene. I want to attack this scene differently."
Sometimes the scene is a sad scene but you have to play it with a laugh to find out that that doesn't work or that there's really a part of that in it, and that's what rehearsal is for, to take that time.
I deal with gay and black conservatives who don't want to be called Uncle Toms of their politically correct Marxist multi-cultural unit structure. And they come to me saying, 'What can I do?' And I say, 'Lay low.'
Scene study is isolated. I suppose its interesting, but I dont think it really teaches you about a throughline. A throughline is something you feel when you do one scene followed by another followed by another.
Scene study is isolated. I suppose it's interesting, but I don't think it really teaches you about a throughline. A throughline is something you feel when you do one scene followed by another followed by another.
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