A Quote by David Mamet
Any claim to actual identification as a drama must rest upon the construction of a plot independent of the assignment of affliction to the protagonist.
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The main question in drama, the way I was taught, is always, 'What does the protagonist want?' That's what drama is. It comes down to that. It's not about theme, it's not about ideas, it's not about setting, but what the protagonist wants.
I think that ultimately any effective drama or tragedy tries to put you as much as it can into the protagonist's shoes.
People who claim that they're evil are usually no worse than the rest of us... It's people who claim that they're good, or any way better than the rest of us, that you have to be wary of.
What I point out to you is only that you shouldn't allow yourselves to be confused by others. Act when you need to, without further hesitation or doubt. People today can't do this... what is the affliction? Their affliction is their lack of self-confidence. If you do not spontaneously trust yourself sufficiently, you will be in a frantic state, pursuing all sorts of objects, unable to be independent.
Plot comes first. The plot is the archictecture of your novel. You wouldn't build a house without a plan. If I wrote without a plot, it would just be a pile of bricks. Characters are your servants. They must serve your plot.
Oh, that we could but convince men and women that murmuring spirit is a greater evil than any affliction, whatever the affliction!
I should say that being independent in the modern model means independent in a very interdependent world. An independent Scotland is not apart from the rest of the United Kingdom.
The idea that an independent Scotland - having separated assets and liabilities from the rest of the U.K. - would expect the rest of the U.K. to be a lender of last resort, and of course be kind to them, doesn't make any sense.
We have to find a way of understanding how one category of sex can be "assigned" from both and another sense of sex can lead us to resist and reject that sex assignment. How do we understand that second sense of sex? It is not the same as the first - it is not an assignment that others give us. But maybe it is an assignment we give ourselves? If so, do we not need a world of others, linguistic practices, social institutions, and political imaginaries in order to move forward to claim precisely those categories we require, and to reject those that work against us?
The successful construction of all machinery depends on the perfection of the tools employed; and whoever is a master in the arts of tool-making possesses the key to the construction of all machines... The contrivance and construction of tools must therefore ever stand at the head of the industrial arts.
Affliction brings out graces that cannot be seen in a time of health. It is the treading of the grapes that brings out the sweet juices of the vine; so it is affliction that draws forth submission, weanedness from the world, and complete rest in God. Use afflictions while you have them.
The problem is that Americans would like to be independent of the rest of the world ... Except the world ain't that way. Trying to be independent of the rest of the world is to commit suicide.
I tend to think in dramatic terms. In life, there may be an actual drama, but it would be the fictionalized, imagined drama that engaged me.
Any plot you impose on your characters will be onomatopoetic: PLOT. I say don't worry about plot. Worry about the characters. Let what they say or do reveal who they are, and be involved in their lives, and keep asking yourself, Now what happens? The development of relationship creates plot.
I never claim my photographs reveal some definitive truth. I claim that this is what I saw and felt about the subject at the time the pictures were made. That's all that any photographer can claim. I do not know any great photographer who would presume otherwise.
Inflamed by greed, incensed by hate, confused by delusion, overcome by them, obsessed by mind, a man chooses for his own affliction, for others' affliction, for the affliction of both and experiences pain and grief.
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