A Quote by David Mamet

It's hard to write a good plot, it's very hard. — © David Mamet
It's hard to write a good plot, it's very hard.
Anyone can write five people trapped in a snowstorm. The question is how you get them into the snowstorm. It's hard to write a good play because it's hard to structure a plot. If you can think of it off the top of your head, so can the audience. To think of a plot that is, as Aristotle says, surprising and yet inevitable, is a lot, lot, lot of work.
It's hard to write a good play because it's hard to structure a plot. If you can think of it off the top of your head, so can the audience.
There's a difference between someone who's 'harsh' and someone who is 'hard.' Life was hard. You lived in the South, as my grandparents did, and you had to survive. That is hard. In order to respond to that, he had to become a hard man, with very hard rules, very hard discipline for himself, very hard days, hard work, et cetera.
I could make up characters till the cows came home. Plot's what hard. Very hard.
Everyone judges plays as if they were very easy to write. They don't know that it is hard to write a good play, and twice as hardand tortuous to write a bad one.
You can write ten versions of a scene, and then, on the day, discover that something in the original scene worked. It's hard on writers. Hard on actors, hard on editors, hard on me, hard on the producers, who require patience and confidence. But I can't get to the end without going through this process.
I just play hard on the defensive end. For me, being a good defender is someone who plays very hard on defense and just tries hard.
A Thousand Pardons began at the beginning. I wanted it to be one continuous, almost breathless kind of story. In order to do that, it's really hard not to begin at the beginning. There's such a chain of consequence to everything that happens to main characters - it's very hard to break it apart and still be able to hold the plot in your head.
When you're being looked at very hard, it's very hard to look back. And that made me stop paying attention to the world in a way that allowed me then to write about it.
It's very hard to tell somebody how to write when they're so good, and they're a brilliant writer and a really good guy.
It is very hard to find a good defender who is strong and good with the ball. Very hard.
In 1948, I began coaching basketball at UCLA. Each hour of practice we worked very hard. Each day we worked very hard. Each week we worked very hard. Each season we worked very hard. Four fourteen years we worked very hard and didn't win a national championship. However, a national championship was won in the fifteenth year. Another in the sixteenth. And eight more in the following ten years.
It’s very hard to have ideas. It’s very hard to put yourself out there, it’s very hard to be vulnerable, but those people who do that are the dreamers, the thinkers and the creators. They are the magic people of the world.
If you don't allow yourself the possibility of writing something very, very bad, it would be hard to write something very good.
It is hard to put aside partisanship. It is hard to give up the easy wisecracking jeer that divides and destroys. It is hard - very hard - to have worked sincerely and wholeheartedly for a cause and to have lost. Most of all, it is hard to put aside personal prejudices. And yet we must put these things aside.
I think I'm good at metaphors and descriptions. Plot doesn't come naturally to me, so I work really hard at it.
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