A Quote by David Mamet

Writing a novel is an incredibly free experience. One puts one's self in a narrative mode. You can go off in any direction - the past, the future, or go laterally, or include one's own beliefs. It's total freedom.
The most that the Convention could do in such a situation, was to avoid the errors suggested by the past experience of other countries, as well as of our own; and to provide a convenient mode of rectifying their own errors, as future experience may unfold them.
If you feel "stuck" today, you may want to examine what you're holding on to. Be willing let go of past disappointments by choosing forgiveness. Who hurt you? Who wronged you? Release it to God. Do you need to forgive yourself? Do you need to receive God's forgiveness? Let go of the past so you can overcome disappointments and experience the bright future God has in store for you! There is freedom in forgetting!
I think the future of China's unknown, I don't know what direction it's going to go in. It could go in the right direction, it could. It could go in a very bad direction, too.
Carrying the past in to the present, we program the future to continue the past. Letting go the past in the present, we free the future to be something else.
When we think we have been hurt by someone in the past, we build up defenses to protect ourselves from being hurt in the future. So the fearful past causes a fearful future and the past and future become one. We cannot love when we feel fear.... When we release the fearful past and forgive everyone, we will experience total love and oneness with all.
Any time you approach anything in fear and aggression or in self-preservation mode, you are going to scare people off. But if you go in love, with the idea of being the feet and hands of Christ, if you go with the idea of showing the love of Christ, then they become softened because love changes all.
Freedom to me can be so many things; freedom to be myself, to express myself and do the things I want to do, freedom to go in any direction I want to go in order to accomplish my goals.
If I'm writing a novel, I'll probably get up in the morning, do email, perhaps blog, deal with emergencies, and then be off novel-writing around 1.00pm and stop around 6.00pm. And I'll be writing in longhand, a safe distance from my computer. If I'm not writing a novel, there is no schedule, and scripts and introductions and whatnot can find themselves being written at any time and on anything.
As you transition from the past and future world of the mind to the awakened world of now, you will begin to experience yourself in an entirely new way. A way that is free of the pain and limitations of the past, and free of anxiety about the future. And you will begin to experience the abundance that is ever present in each moment.
I, as a person, make anything a narrative experience because I experience things linearly. The biggest question for me, is will I go through a transformation? Will I be bored or not? Is it a good or bad narrative experience?
I don't start with a list of historical scenes that I want to include in the book. At a certain point, the narrative totally takes over, and everything that I include I can only incorporate if it answers to the internal terms of the novel.
To the ego, the present moment hardly exists. Only past and future are considered important. This total reversal of the truth accounts for the fact that in the ego mode the mind is so dysfunctional. It is always concerned with keeping the past alive, because without it - who are you?
In every moment, we make a choice about which direction we are going to go. Once we realize that this is a self-correcting and self-organizing universe, then we don't have to look any further than our own life circumstances, the relationships and situations that we are in, to begin the transformation.
I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and all the rest of it.
I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and the rest of it.
It's better to go slowly in the right direction than go speeding off in the wrong direction.
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