A Quote by David Mamet
It's upsetting to be a man in our society.
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You know, my hair is very upsetting to people, but it's upsetting on purpose. It is important to look old so that the young will not be afraid of dying. People don't like old women. We don't honor age in our society, and we certainly don't honor it in Hollywood.
Every society in the history of man has upheld the institution of marriage as a bond between a man and a woman. Why? Because society is based on one thing: that society is based on the future of the society. And that's what? Children. Monogamous relationships.
In our society it is murder, psychologically, to deprive a man of a job or an income. You are in substance saying to that man that he has no right to exist. You are in a real way depriving him of life, liberty, and the pursuit of happiness, denying in his case the very creed of his society.
By patience and determination, rather than by a harsh upsetting of tradition, we move toward our national aspirations.... This is the way we get things done in America. One man tells another, does what he can, till the sum of these efforts grows into a national aspiration-a precious goal. Then occurs our miracle of democracy: because the groundwork has been surely laid, the goal is already within our grasp.
Work is the way we contribute to society, part of a reciprocal social contract - the giving of our effort and our taking when in need - that holds our society together. We work, we build our society, and we share in its prosperity.
Having a leading man who is actually prettier than you are is quite upsetting.
As to the origin of civil Societies or Governments; the Author of our Being, has given Man a Nature to be fitted for, and disposed to Society. It was not good for Man at first to be alone; his nature is social, having various Affections, Propensities and Passions, which respect Society, and cannot be indulged without a social Intercourse.
In our society, it is psychological murder to deprive a man of a job...you are in substance saying to that man "You have no right to exist.
In any given society the authority of man over man runs in inverse proportion to the intellectual development of that society.
Acting is one element in a film. Directing is sort of the painter using all of those elements - sound and music and camera and putting it all together. And that can be fun and exciting. If you fail, it's incredibly upsetting - much more upsetting than when you're an actor. But when you succeed it's incredibly, incredibly exciting, so I like the risk of it all.
Our black president can't say that he's for gay marriage. That is upsetting to me.
In one aspect, my works record the history of the development of Chinese society. Concern about the situation of Chinese reality is one important theme of my works. I am trying to ask, 'How does our society develop? What are the problems in our society? Where is our direction leading?'
Man should not be in the service of society, society should be in the service of man. When man is in the service of society, you have a monster state, and that's what is threatening the world at this minute.
Our society and our organizations have learned to value masculine, 'quick-fix' traits in leaders. In a primitive society, a rural society, or even the industrial society of the early 1990s, quick fixes worked out all right. But they are less likely to work in a complex society. We need to look at long-range outcomes now. Service and patience are what can keep things running effectively today and women can contribute a lot in both of these areas.
Society has always been the free man's greatest enemy. And the free man has been society's greatest friend. How did society treat Jesus, Socrates, Galileo, or Martin Luther King? Yet look what they have left behind.
I have a problem with the term 'leading man.' It's so limiting; it involves not upsetting anyone. Obviously, we have anti-heroes now, but if we're talking about the two tropes - character actor and leading man - I would so rather be a character actor. That's why I have a career.
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