A Quote by David Mamet

I used to think I'd like to be a fireman - in fact, I still would - and the only drawback I could see was coming back to the firehouse, after a day of fighting fires, and still having to put in an eight-hour day writing.
How come you don't work fourteen hours a day? Your great-great-grandparents did. How come you only work the eight-hour day? Four guys got hanged fighting for the eight-hour day for you.
Today, I am wondering what would have happened to me by now, if, fifty years ago, some fluent talker had converted me to the theory of the eight-hour day and convinced me that it was not fair to my fellow-workers to put forth my best efforts in my work? I am glad that the eight-hour day had not been invented when I was a young man. If my life had been made up of eight-hour days, I don't believe I could have accomplished a great deal.
The drone war takes place 24/7, 365 days a year. The war doesn't stop on Christmas. It's like being a fireman when there's a fire every single day, day after day after day. That's emotionally and physically taxing.
I found meditation. It was more out of pure desperation: I just started to wake up at 5 and sit for one hour, and suddenly, day after day, piece by piece, I could really feel I was coming back into me.
There was really only one person who - and I remember to this day - he was a fireman, and he said, "You'll never know what you'll do when you're in a fire." Everyone else was like: "I don't care; I would have saved my children; I could have done it. Even if I was asleep I would have woken up and saved my children." But the fireman said, "You never know what's going to happen unless you're in there."
I still think funny, and people young and old still come and see me. That's flattering. The day comes that they stop coming, then I'll know that it's time to retire to the Jewish ranch.
My grandmother used to cook for eight every day - sitting down lunches and dinner, the way you do it in Italy, you sit down. And when my parents could afford their own place, I went with them but still my mother used to work but used to come back from work to cook lunch for my father, come back from work, cook dinner for my father and me.
I was trouble - and always in trouble. Aged eight I still couldn't read. In fact, I was dyslexic and short-sighted. Despite sitting at the front of the class, I couldn't read the blackboard. Only after a couple of terms did anyone think to have my eyes tested. Even when I could see, the letters and numbers made no sense at all.
So I started to relax and would work on my act eight hours a day, sitting at a desk writing at my grandmother's house, and I would put on Richard Pryor Live on Long Beach and would play it like a loop and think and write
So I started to relax and would work on my act eight hours a day, sitting at a desk writing at my grandmother's house, and I would put on Richard Pryor Live on Long Beach and would play it like a loop and think and write.
I'm fascinated by fire. When I was four, I wore an American fireman's hat all the time, and I still have one in my office today. Glasgow used to be called 'Tinderbox City;' there were always fires, people getting killed.
Surely it is an odd way to spend your life - sitting alone in a room with a pen in your hand, hour after hour, day after day, year after year, struggling to put words on pieces of paper in order to give birth to what does not exist - except in your head. Why on earth would anyone want to do such a thing? The only answer I have ever been able to come up with is: because you have to, because you have no choice.
I will probably write an hour a day and spend eight hours a day biting my knuckle and worrying about not writing.
One of the saddest things is that the only thing that a man can do for eight hours a day, day after day, is work. You can't eat...nor make love for eight hours...
I don't have an idea for a play until after I've finished writing it. I write first, and come up with what it's about later. My technique could be compared to having a large canvas and coming in every day and putting a dot on it somewhere, and after several years - literally - I begin to say, That reminds me of an elephant, so I think I'll make it one.
I love going into rehearsals day after day for three, four weeks, trying stuff, coming back the next day, building on that. So many times I'd drive home from the studio [after] shooting and I'd be thinking about a certain moment, and I'd think, "Oh, I know what to do!"
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