A Quote by David Means
You don't know what you need when you're a young writer. You can get small slivers of critical input, advice, comments, but if you're deep in the perplexity of your own process, as you should be, sorting it out in your own way, nothing is going to guide you more than small gestures of encouragement.
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Those who remain content easily remain small: small are their joys, small are their ecstasies, small are their silences, small is their being. But there is no need! This smallness is your own imposition upon your freedom, upon your unlimited possibilities, upon your unlimited potential.
I think that you find your own way. You have your own rules. You have your own understanding of yourself, and that's what you're going to count on. In the end, it's what feels right to you. Not what your mother told you. Not what some actress told you. Not what anybody else told you but the still, small voice.
If you're really going to uncover something as an artist, you're going to come into access with parts of your personality and your psyche that are really uncomfortable to face: your own ambition, your own greed, your own avarice, your own jealousies, and anything that would get in the way of the purity of your own artistic voice.
When you are an historian, there's probably nothing that matters more than to be recognized by your colleagues in your own profession. I was lucky enough to win the Pulitzer Prize for History. I had to give a talk right after that to some young people. The most important thing to tell them, I think, is that you can't ever know that it's going to turn out that way.
For me writing is a long, hard, painful process, but it is addictive, a pleasure that I seek out actively. My advice to young writers is this: Read a lot. Read to find out what past writers have done. Then write about what you know. Write about your school, your class, about your teachers, your family. That's what I did. Each writer must find his or her own kind of voice. Finally, you have to keep on writing.
May you find the courage to walk your own path. May you dare to venture into the uncharted domains of your own heart. Here is my advice to you, the adventurers - fear will show you the way; walk steadily toward it, for otherwise you will always be running. Have trust & faith to guide you like a torch piercing the darkness. Do not believe & do not deny, but find out for yourself - for there is no truth but the one you have earned in your own experience.
Your pursuit of personal greatness challenges others to fear for their own causes, their own battles and pursuits. Your freedom is a reminder of their own imaginary restraints and limitations. Yet, for others, your confidence will be a beacon. People follow conviction, assertive advice and brave leaders, and there's nothing more powerful than a confident man or woman.
I feel really strongly about not wanting to overly guide the reader about what he or she should think. I really trust the reader to know for themselves and not to need too much. You have your own imagination, your own experiences, your own feelings, and a novel wants ultimately to ask questions. It doesn't assert anything, or shouldn't, I think.
Who said you had to fill his shoes? Wear your own shoes. They're bound to fit better. Walk your own path your own way and you'll be more likely to get to where you need to be.
Expect nothing, live frugally on surprise. Become a stranger to need of pity. Or if compassion be freely given out, take only enough. Stop short of the urge to plead, then purge away the need. Wish for nothing larger than your own small heart or greater than a star. Tame wild disappointment with caress, unmoved and cold. Make of it a parka for your soul. Discover the reason why so tiny human midget exists at all, so scared and so unwise. But expect nothing, live frugally on surprise.
There is nothing that is more dangerous to your own salvation, more unworthy of God and more harmful to your own happiness, than that you should be content to remain as you are.
When you're young, your perception of what it means to be a writer is often less about the writing and more about what seems to be the accompanying life: speeches and travel and hanging out with other writers. You think that when you get published, your life will clarify itself to you somehow. But when you don't get published until you're middle-aged you know who you are already, and your life expands to make room for your writing, rather than orbiting around it. You realize that there's no one way to be a writer, and that the job is less of an identity and more of a vocation.
A brother with small earnings may ask,''Should I also give? My earning are already so small that my family can barely make ends meet.'' My reply is, ''Have you ever considered that the very reason your earnings remain so small may be because you spend everything on yourself? If God gave you more, you would only use it to increase your own comfort instead of looking to see who is sick or who has no work at all that you might help them.
A lot of people ask, "What do you pull on in your own life from your character?" In all honesty, it's not something that really works that way for me. I tend to look at these things as an imaginative process and a challenge of imagination and empathy, to some degree. I get much more out of meeting people who have lived these lives than I do digging around in my own limited experiences.
There is nothing of which men are more liberal than their good advice, be their stock of it ever so small; because it seems to carry in it an intimation of their own influence, importance or worth.
You can't accumulate anything, because anything you get you have to give away. We all know this. We watch our bodies go through the aging process. We know we came in here with nothing, and we know we're going to leave with nothing. There's nothing to own. There's nothing to get. The only thing you can do with your life is give it away. The best, happiest moments in your life are always when you're giving something away.
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