A Quote by David Milch

I think it's disrespectful to go onto a set without some clear idea of what your intentions are, because then you're hanging the director out to dry. — © David Milch
I think it's disrespectful to go onto a set without some clear idea of what your intentions are, because then you're hanging the director out to dry.
I think as a director you have to make it your own. It'd be a mistake to approach a project with the idea of 'I'm going to do this the way I think somebody else would,' because then you'd never be clear on your idea.
Building a professional relationship on respect as opposed to affection is a very good idea. Running your art projects the way you'd run a dry-cleaning business is also a really good idea. You shouldn't go into work like you're going on a date, like you're hanging out with friends.
Directing takes a good chunk of your life out. It's a very hard thing. As an actor, you go in for a couple of months and do your job, and then you move onto another one. As a director, it's with you for quite some time and you're responsible for the entire thing, whether the results are good or bad, or whether people throw darts at you or put you on a pedestal.
Fanaticism is such a blind stuff that it can never give you any idea as to what is reality. Because whatever you believe into, you build up your own ideas and everything onto it and it's like a fake palace built on a fake idea. And then you go on fighting. If God is one, if His love is one, then how can people who believe in God fight?
It's just a matter of who you are and how you talk to people. Your subjects will trust you only if you're confident about what you're doing. It really bothers me when photographers first approach a subject without a camera, try to establish a personal relationship, and only then get out their cameras. It's deceptive. I think you should just show up with a camera, to make your intentions clear. People will either accept you or they won't.
To lead a successful life, then, it's a good idea to work out what you really want. Then get together some plans. Then set some goals.
When things go wrong or don't turn out the way you pictured them in your head, you just have to go with the best intentions defense. I have a lot of good intentions.
When things go wrong or dont turn out the way you pictured them in your head, you just have to go with the best intentions defense. I have a lot of good intentions.
I'm a bit of a contrarian, so I like the idea of going on stage without makeup, without the hair being done, in the jeans and shirt I've been wearing all day. At first that was an issue, because I didn't want to be disrespectful.
I was always thankful for the YMCA. Of course, growing up, you don't really think about it, because when you're a kid, you're in your own world. But back then, it was just so much. I'm going to go the Y, hanging out, playing games all day, playing basketball.
To pray with your fists closed means you're hanging onto something. Let it go. Open your hands to God.
A man who lives with intentions is bound to feel frustration. A man who lives with expectations is bound to feel frustrated because existence has no obligation to you. But if you live without intentions, without expectations, then miraculously you find that everything that you ever dreamed of is being fulfilled. The moon is reflected in the lake - the lake never asked it, the moon never intended it. Existence goes on spontaneously. Don't bring your desire, your ambition and your expectation; they are the disturbing points. They create a chaos in your mind.
If you want to be a virtuoso then you have to set your sights above me. You have to go beyond what I'm doing. And that's for you to figure out. Because if you can do that, then I'm going to be trying to go beyond you.
The idea that because you're born in Haiti you could die having a child. The idea that because you're born in you know Malawi your children may go to bed hungry. We want to take some of the chance out of that.
I think directing in a team is a really good idea because it stops the cult of the director as God straight away, and also you're discussing things on set so it opens it out to everyone and it becomes a totally collaborative thing. And you have someone who supports you when you're feeling a bit insecure.
At school, I decided I wanted to be a director and then I went out and spent the rest of my adult life trying to be a director. It was really clear to me. So in that sense I was very lucky.
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