A Quote by David Mitchell

She has to lose her pre-Copernican view of a universe revolving around herself. — © David Mitchell
She has to lose her pre-Copernican view of a universe revolving around herself.
She realized how many of her beliefs were either unrealistic or belonged to her deceased parents and her ex-husband. She also realized that her expectations for herself and others were sometimes too rigid. She was trying to live up to what everyone else said was best for her, which made her depressed and hard to be around at times. Once she changed her beliefs about herself and others, she began to smile more and enjoy life.
It was so important that women were involved in 'She's Gotta Have It' because it's about a woman's opinion. It's about her views of herself, and the world around her, and how the world perceives her, and finding that ground for herself - not even a common ground, but that ground for herself in which she can walk on firmly with confidence.
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
She wanted to lose herself in him. To tie his arms around her like a tourniquet. If she showed him how much she needed him, he'd run away.
It was like she'd become the sun, and I started revolving around her. She was my center.
I found her lying on her stomach, her hind legs stretched out straight, and her front feet folded back under her chest. She had laid her head on his grave. I saw the trail where she had dragged herself through the leaves. The way she lay there, I thought she was alive. I called her name. She made no movement. With the last ounce of strength in her body, she had dragged herself to the grave of Old Dan.
Well, Kajol's a lovely lady! She's a pleasure to work with and I really enjoy her company! She has the ability to make someone feel so important...she herself is really cheerful and she makes others around her feel cheerful too. I don't believe I've ever seen her cry...except in front of the camera of course! I believe she has the potential to go so far.She is such an insipiration to everyone around her.....including me!
Yet there were times when he did love her with all the kindness she demanded, and how was she to know what were those times? Alone she raged against his cheerfulness and put herself at the mercy of her own love and longed to be free of it because it made her less than he and dependent on him. But how could she be free of chains she had put upon herself? Her soul was all tempest. The dreams she had once had of her life were dead. She was in prison in the house. And yet who was her jailer except herself?
Later she sat on the ground in the forest between school and home, and spring was so bright and beautiful, the warm air touched her so tenderly, she could almost feel herself changing into a flower. Her light dress felt like petals. "I love everything," she heard herself say. "So do I," a voice answered. Pearl straightened up and looked around. No one was there.
The Copernican revolution was actually a contribution to the life of the church, the development of our view of ourselves in terms of the Universe, and therefore our view of God, et cetera. But, that took centuries, and struggles, and conflicts before that happened.
Charity never lacks what is her own, all that she needs for her own security. Not alone does she have it, she abounds with it. She wants this abundance for herself that she may share it with all; and she reserves enough for herself so that she disappoints nobody. For charity is perfect only when full.
Vengeful as nature herself, she loves her children only in order to devour them better and if she herself rips her own veils of self-deceit, Mother perceives in herself untold abysses of cruelty as subtle as it is refined.
Teach a child to play solitaire, and she'll be able to entertain herself when there's no one around. Teach her tennis, and she'll know what to do when she's on a court. But raise her to feel comfortable in nature, and the whole planet is her home.
Perhaps I will die too, she told herself, and the thought did not seem so terrible to her. If she flung herself from the window, she could put an end to her suffering, and in the years to come the singers would write songs of her grief. Her body would lie on the stones below, broken and innocent, shaming all those who had betrayed her. Sansa went so far as to cross the bedchamber and throw open the shutters ... but then her courage left her, and she ran back to her bed, sobbing.
She should have remembered her past experiences in the relationship wars and not let herself get so excited. Evidently her hormones had overruled her common sense and she had become drunk on ovarian wine, the most potent, sanity- destroying substance in the universe.
It was not the passion that was new to her, it was the yearning adoration. She knew she had always feared it, for it left her helpless; she feared it still, lest if se adored him too much, then she would lose herself, become effaced, and she did not want to be effaced, a slave, like a savage woman. She must not become a slave. She feared her adoration, yet she would not at once fight against it.
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