A Quote by David Mitchell
I really wish they hadn't made the set out of asbestos.
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...The asbestos industry...has for decades successfully suppressed and manipulated information on the carcinogenicity and other hazards of asbestos. Involved in this conspiracy network were senior industry executives, their medical staff, attorneys, insurance companies, trade associations, scientific consultants, and commercial labs.
Westerns are fun. I wish more of them would be made. When you're out there on a set, carrying a gun, riding a horse, you kind of get lost in that make believe world.
When we go to a restaurant, they don't ask, 'Do you want the asbestos section or the non-asbestos section?' They do ask, 'Do you want smoking or nonsmoking?'
I figured, 'When is that ever going to happen again?'. So I basically set out the opposite way movies are made; I set out with a budget first. I said, 'What can I do well for $40,000?'.
I wish I could do a lot of things different. I'm not going to tell you what they are, but if I had a list of all my films right now, I'd go, 'Okay, I'll cross that one out and cross that one out and cross that one out and cross that one out.' Really. But I've made over 40 films. How can I not have some losers in there?
When I stepped out from doing films and had a dark period, I never did anything dark on a set, so I never made enemies on a set. I never was a bad girl on a set; I always considered films a really sacred space, so when I had my problems, I had them very much away from the film community.
Make a wish," said Indigo. Rose made a wish and then asked, "Why?" "That's what I always do. Wish on the moving ones." "Does it matter how fast they move?" "I don't think so." "Can you wish on airplanes, too?" "Oh, yes.
"Dollhouse" was really insane. We shot it at this top house studio in Brookyln. It was really cool. I designed a mini dollhouse that we used. I made it all by hand and decorated each room, and we based the actual set off of that. The Dollhouse was just plain wood and I put roofing on it and everything. I got real carpet for it. It was crazy. It was definitely an interesting experience. It was the first music video I've ever made. It was definitely stressful but awesome. Everybody was really amazing on set; we just had a blast doing it.
I don't really set out to explore grand themes. I set out to tell a story. And one I have to be able to imagine right through.
I don't really have any advice, other than to say it's the most appallingly difficult thing I've ever tried to do and I wish I had a better idea of how to do it. In my experience what you end up with is the by-product of your failure to achieve what you set out to do. It may turn out OK, but it wasn't what you meant and you've no idea how you got there.
Like all twenty-one-year-old poets, I thought I would be dead by thirty, and Sylvia Plath had not set a helpful example. For a while there, you were made to feel that, if a poet and female,
you could not really be serious about it unless you'd made at least one suicide attempt. So I felt I was running out of time.
We've all done things we wish we hadn't, made choices we didn't even know were choices at that time. but that doesn't mean we have to stick by them. In life, you find out who you are gradually, not all at once. You made a bad choice, okay? But you can still get out of it.
I wish that I had been in 'School of Rock' because, when I was younger, that movie was the movie. It really made me want to be an actor - that's so cheesy. But I remember seeing it when I was little and loving it so much, being like, 'I wish that I was in that.'
I made a movie in Morocco. I made a movie in Brazil. I've made commercials all over the world. Every set looks like another set.
I never set out to do this; I never set out to say, 'Can I break this record?' Then all of a sudden, the preparations made for the celebration put pressure on me. I said, 'Okay, I have to get there.' After 2,130, there was sort of a realization it was a foregone conclusion you're going to play tomorrow.
Fandango is not really a Western. It's really just set in Texas. It's a road picture. And then I did one that hasn't come out yet called Kreep, which is set in Texas, but it's not really a Western. But it has a more rural-Texas feel to it.
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