A Quote by David Mitchell

Writers are so used to books being optioned and then the movie never happens. — © David Mitchell
Writers are so used to books being optioned and then the movie never happens.
I have a lot of books optioned. This one sat around for a while - part of that was just because I was trying to figure it out, and I didn't realize I needed Pam to figure it out - but I'm not somebody that likes to option books and then sit on them.
I've had many of my books optioned.
We used to say a movie could never come close to a book, but no one reads books anymore.
The trick of this thing and the beauty of this thing is that it's a cowboy movie first and then stuff happens. Even after stuff happens it doesn't change - it hasn't suddenly changed into another kind of movie. It's still a cowboy movie. And that's what's incredible about it because nobody has done that before, that's new territory.
It used to be for writers that that six seasons and a movie thing, that's the holy grail as writers - your series goes eight, 10 seasons, you're set for life.
A few of my books, over the years, have been optioned for film. The subject matter of my books, however, is not exactly conducive to Hollywood film treatment. If and when a 'big-budget' film is ever made based on one of my books, my fans and I will more than likely loathe it because it won't be true to its source. That's almost a given.
Look at a book. A book is the right size to be a book. They're solar-powered. If you drop them, they keep on being a book. You can find your place in microseconds. Books are really good at being books, and no matter what happens, books will survive.
If you're a movie star, there's a cycle you go through: adoration, adulation, you're used, and then you're discarded. And it happens again and again, always in that sequence.
You've got to do something with all the books you've read, so you might as well imagine you've optioned them.
I do think, even though I've made these genre movies, there's what happens in the movie and then there's what the movie's about. And for me, what the movie's about is so much more interesting.
Writers are not obliged to deal with current events, but it happens that the big story of our times - the al-Qaida attacks on New York and the Pentagon, and the subsequent wars in Iraq and Afghanistan - is being told in some of the greatest books of our time.
It's fairly common to get something optioned but really rare to actually see it become a movie.
I have to write three books a year to make a reasonable living out of writing - unless, of course, she gets a major American film deal. Phryne has been optioned since the very first book, but to make a historical TV movie, it costs $30,000 a day extra for the historical detail to be correct, so most people aren't doing it.
Some writers get snooty about what happens when their books are adapted to film, but I don't feel that way.
I never expect anything; I just go make a movie. I do the best I can, and whatever happens, happens.
I like writing dialog but don't think I'd be much good at a screenplay. I once had to write a treatment for a novel of mine - a condition of its being optioned by a movie producer - and I turned out something pretty lackluster. So my inclination would be to stay out of the way of an experienced screenwriter.
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