A Quote by David Mitchell

I think words operate like musical notes that the eyeball hears. — © David Mitchell
I think words operate like musical notes that the eyeball hears.
I didn't think of myself as a singer. I'm an actor who recites words, and sometimes that happens to be on musical notes.
We're eyeball to eyeball...and I think the other fellow just blinked.
Whatever is original in my writing comes from my musical apprenticeship. I look for rhythm in words. I imagine words as if they were musical chords. Often I'll write something, read it, and find it musically unsatisfactory. There is a musical imperative in my choice of words.
The script is like music to me. I approach it like it's a musical piece and I hear how it's supposed to sound when people say the words. There's rhythms and there's intonations and things, and so, when somebody comes in and hits the notes that I hear, I go okay. Or, they come close enough, and then I'll say "Well how about you try it like this?" and if they have a good ear and they can pick it up, then I think okay, they've got it.
We were eyeball-to-eyeball and the other fellow just blinked.
In fact, we've entered a world which is arguably much more dangerous than [being] eyeball to eyeball with the USSR.
Coming eyeball to eyeball with a hummingbird on my terrace is as exciting to me as any celebrity I've met as a result of 'Downton Abbey.'
Coming eyeball to eyeball with a hummingbird on my terrace is as exciting to me as any celebrity Ive met as a result of Downton Abbey.
I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.
Most people are oriented to words. When the public hears a melody, unless you put words to It, it takes longer to penetrate. It's always been like that, but I don't know why.
To him the stars seemed like so many musical notes affixed to the sky, just waiting for somebody to unfasten them. Someday the sky would be emptied, but by then the earth would be a constellation of musical scores
I don't think you'll find one person that says I shoot from the hip. What they say is, 'This guy talks eyeball to eyeball. This guy talks shoulder to shoulder. If you ask this guy a question, you'll get an answer.'
Notes, usually to be musical, have to move in or out. They don't sound like clarinets!
Real communication is an attitude, an environment. It is the most interactive of all processes. It requires countless hours of eyeball to eyeball, back and forth. It involves more listening than talking.
Differentiation is classroom practice that looks eyeball to eyeball with the reality that kids differ, and the most effective teachers do whatever it takes to hook the whole range of kids on learning.
Originally I had a block about appearing in a musical. I went to a voice teacher for a while, but that did no good. My range is about one and a half notes. I ended up talking the musical numbers, which was revolutionary at the time. The lyrics are extremely intricate. They move along like a precisely acted scene. If you miss a word - heaven help you - the orchestra rattles past like an express train, and you've got to run like the devil to catch up.
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