A Quote by David Mitchell

I'm a novelist, that's how I make my livelihood, and I concentrate on the novels. — © David Mitchell
I'm a novelist, that's how I make my livelihood, and I concentrate on the novels.
I'm a novelist at heart. How's that? And that's how I make my living, is I write novels.
My first attraction to writing novels was the plot, that almost extinct animal. Those novels I read which made me want to be a novelist were long, always plotted, novels - not just Victorian novels, but also those of my New England ancestors: Herman Melville and Nathaniel Hawthorne.
In effect I am not a novelist, but rather a failed essayist who started to write novels because he didn't know how to write essays.
Society is the stage on which manners are shown; novels are the literature. Novels are the journal or record of manners; and the new importance of these books derives from the fact, that the novelist begins to penetrate the surface, and treat this part of life more worthily.
A lot of the times, if relationships go badly, you concentrate on the negative. But in those situations, there is always a positive outcome that you can learn from. So, I like to concentrate on the lesson and how I can learn from this. I concentrate on me rather than concentrating on the actual situation.
People lose it when I say this, but I'm a novelist who doesn't read novels. There are lots of good reasons for not reading novels! I'm also a game writer who doesn't play games - I keep everything very separate. The only crossover with me is comics. I write them, and I read them passionately.
I realized that my identity as a novelist was private. Only I knew how much of a novelist I was!
There is only one expert who is qualified to examine the souls and the life of a people and make a valuable report - the native novelist. ... And when a thousand able novels have been written, there you have the soul of the people; and not anywhere else can these be had.
Douglas Adams did not enjoy writing, and he enjoyed it less as time went on. He was a bestselling, acclaimed, and much-loved novelist who had not set out to be a novelist, and who took little joy in the process of crafting novels. He loved talking to audiences. He liked writing screenplays. He liked being at the cutting edge of technology and inventing
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills - you learn to listen, you learn to take notes - everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels.
Sometimes someone will tell me about an author I've never heard of before and that will send me to that person. That's how I discovered Thomas Bernhard, an Austrian novelist whose novels tend to be one long rant.
I don't really concentrate on Urban AC or whatever. I don't concentrate on genres or how people section off songs for radio.
I'm a very old-fashioned novelist. I write 19th-century novels, where a lot of rules apply.
A lot of people don't understand that refugees especially, are fleeing situations that are affecting their livelihood and their children's livelihood.
I love novels, but I'm not a novelist. I'm just a dramatist, which means I write lines for actors. That's all I have ever wanted to do.
This site uses cookies to ensure you get the best experience. More info...
Got it!