A Quote by David Morrell

At their best, thrillers not only entertain. Ideally they also reflect the society in which they are set, analyzing our fears and how we perceive the world. — © David Morrell
At their best, thrillers not only entertain. Ideally they also reflect the society in which they are set, analyzing our fears and how we perceive the world.
Our communications reflect in our countenance. Therefore, we must be careful not only what we communicate, but also how we do so. Souls can be strengthened or shattered by the message and the manner in which we communicate.
Our communications reflect in our countenance. Therefore, we must be careful not only what we communicate, but also how we do so. Souls can be strengthened or shattered by the message and the manner in which we communicate.
The world has been set up in such a way that we don't even realise how ingrained certain things are, like how much we live in a patriarchal society or how institutional racism is ingrained in how we see the world. We don't realise how many things are being set in stone, in our heads.
Although our body language governs the way other people perceive us, our body language also governs how we perceive ourselves and how those perceptions become reinforced through our own behavior, our interactions, and even our physiology.
We set ourselves to achieve a society that would be maximally tolerant. But that resolve not only gives maximum scope to the activities of those who have set themselves to achieve the maximally intolerant society. It also... paralyses our powers of resistance to them.
Society is made up of individuals. The thoughts and actions of each individual influence the culture of that society. Instead of waiting for others to improve, we should try to improve ourselves. Once our attitude has changed, we will be able to perceive goodness throughout world. If there is a positive change in us, it will also be reflected in others. It is only what we give that we can hope to get back.
The ocean is the only alien and potentially hostile environment on the planet into which we tend to venture without thinking about the animals that live there, how they behave, how they support themselves, and how they perceive us. I know of no one who would set off into the jungles of Malaysia armed only with a bathing suit, a tube of suntan cream, and a book, and yet that's precisely how we approach the oceans.
That's part of the reason why we also need to focus on, how do I give to society, how do I participate in society, how do I make society a better place, because, by the way, it's good for me, but it's also good for all of us in the environment in which we live and work.
It's interesting how thrillers reflect the times we live in.
We don't set out to save the world; we set out to wonder how other people are doing and to reflect on how our actions affect other people's hearts.
Society is now really ruled by its own logos; say rather by a whole pantheon of its own hypostases and powers... we are beginning to suspect that the idols are vain, but their demonic influence upon our lives is not thereby allayed. For it is one thing to entertain critical doubts regarding the god of this world, and another thing to perceive the dunamis, the meaning and might of the living God who is building a new world.
I think one of the most important changes of our time has been our attitude to fear. Every civilisation defends itself by keeping fears out and saying 'we protect you from fear'. But it also produces new fears and throughout history people have changed the kind of fears which have worried them.
I try to do what I call the three E's - educate, entertain, and enlighten. If you don't entertain, no one will show up. But you also have to educate, because people want to discover specific things about a world unlike their own - whether it's how hard it is to go to the moon or how scary it is to be on Omaha Beach.
You can understand so much about how consumers perceive a brand by analyzing their spontaneous, subconscious responses.
There is the specter of "realism" that is still haunting Chinese contemporary art - that art is only an instrument, an instrument to reflect society, that it must be useful for society. Also, I have noticed many Western media outlets are very insistent on understanding contemporary art in China through this kind of realist approach. Sometimes I even sense that they are intent on, as we say in China, "picking bones of politics out of an egg of art." Or perhaps they see art as merely an instrument to reflect society.
For the little that one has reflected on the origin of our knowledge, it is easy to perceive that we can acquire it only by means of comparison. That which is absolutely incomparable is wholly incomprehensible. God is the only example that we could give here. He cannot be comprehended, because he cannot be compared. But all which is susceptible of comparison, everything that we can perceive by different aspects, all that we can consider relatively, can always be judged according to our knowledge.
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