A Quote by David Morrell

The flaw of an amateur is to assume what's in our head is what's on the page. — © David Morrell
The flaw of an amateur is to assume what's in our head is what's on the page.
The amateur has a long list of fears. Near the top are two: Solitude and silence. The amateur fears solitude and silence because she needs to avoid, at all costs, the voice inside her head that would point her toward her calling and her destiny. So she seeks distraction. The amateur prizes shallowness and shuns depth. The culture of Twitter and Facebook is paradise for the amateur.
I was an amateur - I am an amateur - and I intend to stay an amateur. To me an amateur photographer is one who is in love with taking pictures, a free soul who can photograph what he likes and who likes what he photographs.
It's turned into a world of amateurs. There are amateur actors making millions of dollars, amateur cinematographers, amateur directors... Jesus, these amateur directors can get deals for anything. Another comic book? Oh, very good.
Whenever we remember a series of events, we remember them different. We are constantly changing. It's a flaw, but on the other hand, when we say a word, the meaning is not what you put into it. Rather, the meaning of the word is all of the past usages of that word. Like this cloud that makes up the meaning of the word. It's your subject if you write. For instance what you put in that word and what you assume it means, even its flaw. It has a general agreement.
You have many flaws, he announced... “But there was one flaw that made all the other imperfections pale in comparison.” “Was?” she asked. “I don't have this flaw any longer?” “No, you don't.” “Pray tell,” she muttered in exasperation, “what was this terrible flaw?” He grinned. “You used to be English.
I've never looked at my Facebook page or my website, because I'm fundamentally an amateur.
I think even a hero is someone who has sort of the flaw or imperfection of character. I remember Alice Walker saying that once - she'd written a novel about a civil rights hero, and it was someone who had this flaw, this central flaw.
For me, the game would be to assume a very intelligent reader who can extrapolate a lot from a little. And that's become my definition of art; to get that pitch just right, where I can put a hint on page three, and the reader's ears go up a bit, as opposed to dropping it all on the first page.
One of the worst things anybody can do is assume. I think fools assume. If people have really got it together, they never assume anything. They believe, they work hard, and they prepare- but they don't assume.
Every handsome man had a flaw. It was just her luck that in William's case that flaw was lunacy.
Everything now, we must assume, is in our hands; we have no right to assume otherwise. If we do not falter in our duty now, we may be able, handful that we are, to end the racial nightmare, and achieve our country, and change the history of the world.
The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.
The absence of flaw in beauty is itself a flaw.
You are wrong if you think that you can in any way take the vision and tame it to the page. The page is jealous and tyrannical; the page is made of time and matter; the page always wins.
We have a tendency to assume or believe saying I love you means we are ready for love, or that hearing it from someone else means they are ready. We just assume that we are on the same page about what it means. We don't know what someone else is thinking, projecting, assuming, expecting when they say that.
I lost an amateur fight where it was supposed to be my last amateur fight before going pro and people were like, 'Oh, you think you're going to make this? You just got knocked out as an amateur?' And I went on to win 13 fights straight and become a world champion, the best in the world.
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