A Quote by David Morrissey

The thing as an actor is you get a sense of what a show is like the minute you walk on the set. — © David Morrissey
The thing as an actor is you get a sense of what a show is like the minute you walk on the set.
If I had a million dollars, I just wouldn't just completely set back. I'd have to get out there and show my face to all these good people who like me, I have to get out there and show my face. The only thing that would set me back if I get sick or something or pass away, that's all you can do about that you know. But as long as I got my health goin' pretty good, I'll show up around here.
Ellis Peters's historical detail is very accurate and very minute, and therefore is not only interesting to read but good for an actor to acquire a sense of the period. And the other thing I think is that an actor lives in the land of imagination.
I enjoy being an actor largely; in part at least, because you get to walk a mile in another person's shoes, you get to see what their skin is like. The other good thing is you get to leave it.
When you're the guy behind the camera, you're aware of the reasons for the compromises or the changes that get made. As an actor, you go and do your thing, and someone else down the line then does all the math and goes, "We can't include that thing where he's pretending to be dumb and needling those people, because it takes a minute and a half, and it ruins the next scene. It doesn't make sense." If you're directing, you're the one doing that.
It's fun because I really do love meeting new people. Comedy can be so different from show to show and from writer to writer and actor to actor. People don't set out to make a bad show.
I don't think I could ever have a desk job, so I get to be mobile. I'm on set. I get to walk around kind of doing my own thing, being independent - it's just a really good vibe. Everyone on a film set is very happy, and they all love their jobs, so it's a cool environment to be a part of.
The way that TV is set up is very helpful for when a show comes to an end because as an actor, you've got acting, but as a showrunner you still get to edit for three months and after that ends you get to do a sound mix. So, as a writer-performer in television, it's a very nurturing, gradual environment to say goodbye to a show.
I don't think the concept of "directing actors" exists in the sense that if you get what you order from an actor you'll always get bad acting. Every actor is scared just like a regular person.
Being in Ann Arbor, if I wanted to go from my apartment to the gym, I could get on the bus and it would be a two-minute ride, or a 20-minute walk.
Golf is not a good walk spoiled. It is becoming a good walk prohibited. Show me the common sense in this and I promise I will relent. But there is no common sense at all in the prohibition of walking.
I become a better actor after I step on a stage in front of, like, 500 people when it's just me, a microphone and my guitar. You don't get as nervous walking into a room in front of 3 or 4 people and to do a scene or to walk on a set. You gain confidence.
The only thing we don't do together is get in front of an actor and show any indecision at all about what we think. We don't always agree, so we meet privately, then one or the other will approach the actor.
Nothing can teach you what it's like to work on a film set, and the best education there can be for an actor is to walk up the street and observe human nature.
Kids kill a show! It's, like, a fun concept when the character is pregnant, but then if a show runs for a while, I'm sorry, but it gets annoying when it starts to talk. You get a child actor in there, and unless that child actor is freakin' awesome, it's going to be annoying.
When I was playing Bishop, I would always walk on set thinking, 'This is my show; this is a show all about me.'
Any movie I've ever made, the minute you walk on the set they tell you who's the person to buy it from.
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