A Quote by David Morse
I wouldn't mind having another shot at doing comedy, but I'm not sure that's the way I'd want to go.
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I think a shot can actually influence a scene in a huge way. For example, comedy is always better in a two-shot. What's between the characters is what's funny. So you learn about these things as you go along.
As every golfer knows, no one ever lost his mind over one shot. It is rather the gradual process of shot after shot watching your score go to tatters - knowing that you have found a different way to bogey each hole.
This is pool. This is setting up your next shot, and I always want to make sure when we're setting up San Antonio's next shot we have a good shot at making sure that we continue to build our infrastructure in such a way that San Antonio will be a player for years to come in national defense issues.
It's so exhausting in the pocket taking shots when you know I can go. I don't want to take that shot and maybe make a bigger play. To dedicate and discipline your mind that 'I have to find a way, that's the only way I can learn... ' That's the challenge.
I was having all these thoughts, not really sure what I was doing in school. And I just said, 'I'm gonna go out and climb.' I had this great day with a friend, bouldering and rooting each other on, and I came back thinking, 'I don't like the way it feels to be competitive. I don't want to be ruled by it.'
I have shot four films for sure. On most days, I wish that there were 48 hours in a day. When a movie is coming to an end and another is going to start, I've felt that I don't want to let go of this one just yet and say goodbye to the character nicely.
In the back of my mind, I want it to do well, but at the end of the day I literally just got down on my knees and prayed - "However you want this thing to go lord, let it go that way." Low and behold, it did what it did and it's doing what it's doing. I'm just trying to sit in the saddle on this deal, just trying to stay on board!
I just want to go out and play the right way, make sure I get my teammates the ball and then also bring the energy on defense. That's something that I know I can do each and every game, whether my shot's falling or not.
Comedy is the result of what's happening, not what people are doing. Because if people are doing comedy. It's embarrassing. The individual elements have to be straight-faced, serious, realistic with a firm basis. What makes it comedy is a somewhat shifted way to put it together.
For me, it's about having energy in the field and making sure I'm having fun and making sure everyone else around is having fun, whether it be telling a joke or something like that. It's to make sure we're all upbeat and we're ready to go.
The first time I came to the Comedy Festival some nutcase shot a bunch of people in Tasmania. I thought, 'Oh, that's just Tasmania.' The second time I came, some nut shot up Columbine High School. Now I'm here again, and another nut just shot up a high school in Minnesota. If you can't see the connection between me playing the Comedy Festival and mass murder, you're no good at conspiracy theories.
I didn't want to do comedy again. It is way harder when you are doing comedy. You can't just concentrate on the character and the plot. In comedy, the writers, instead of obsessing about character and plot, obsess about the jokes.
There's always advantages and disadvantages to doing any role. And there's a great sense of achievement, testosterone, fun, being able to live out your masculinity when you play an action role, or an action-adventure, or a real tough-guy role. Really, if you're doing a comedy, you can sit back and relax. And it's good to know that at the end of the day, you don't have to run off for another two hours and go to the gym, or go spend the rest of the night swordplaying with stunt guys. Then I think, "Oh my God, I love comedy.".
I want to make sure I don't interfere with the success of that team next year. I don't see any way I could go to practice like most of 'em do, and not hurt the team. I'd go nuts if I tried doing that.
I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.
I come from a TV background, so for me this more like doing a freeing theatre piece because we'd go into a room and do the scene, instead of doing it as a wide shot, medium shot, and close up with only the odd line of dialogue.
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