A Quote by David Morse
At 17, I became a member of the Boston Repertory Theatre. I had an opportunity pretty quickly and performed with the theater for six years.
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In 1969, I wrote a musical called 'Mother Earth.' It was a rock musical with an ecology theme. We did it at the South Coast Repertory Theatre in Southern California where I was a member. It was a smash hit in this small theater.
As an actress who has performed in theater for over 17 years, my experience performing in 'The Color Purple' has been a truly life-changing journey.
I went to college and did theatre. After that, I spent about three years in Seattle doing French theater and community theater and sorting it all out. Then I applied to graduate school and got accepted, so I started pursuing my master's in theatre at the American Conservatory Theatre in San Francisco.
I haven't done any 'Fringe' shows since I was about 17. Then I performed with my youth theatre in a show where we all had this old-fashioned make-up on and giggled through our lines.
During the six years I spent writing my novel 'The Incarnations,' I lived in seven cities in four countries. I moved in and out of 17 different houses and flats in Beijing, Seoul, Colorado, Boston, Leeds, Washington D.C., London and Shenzhen.
I started in theatre. I went to the Boston Conservatory and majored in musical theater.
Then, at age 20, I discovered theater sort of by accident. Quite quickly, theater became more important to me than music. I began to realize that maybe my talents as a musician were quite limited, or had a ceiling to them, whereas acting seemed to sort of stretch before me. I got very passionate about it very quickly.
When I was doing fringe theatre, my ambition was to do repertory. When I got to rep it was to do national theatre; then it was t,o get a couple of parts in television. I never had this great desire to overreach myself. I was too busy enjoying acting. I was just obsessed with it.
It wasn't until many years after 'The Waltons' when I had gone back to theater that I had the opportunity to take on a role within a theater company as a writer and director. I found to my surprise that I really enjoyed it as well.
I started at Howard in the drama department. At the same time, I was a fledgling member of the Black Repertory Company in Washington, D.C. When I graduated, I had the great fortune of being in the Los Angeles production of 'For Colored Girls'... And all these years since, I've done stage work.
Then I left school at 16 and worked in Perth Repertory Theatre, which was quite nearby where I lived. And I worked there for about six or seven months, as part of the stage crew.
For two years I was a member of a repertory company in Los Angeles, doing mostly original material, plays written by the director.
I was fooled a bit during 'Laguna Beach.' I was 17, 18 years old, and I thought they just wanted to shoot a documentary, and that it probably wouldn't end up anywhere, anyway. Little did we know about the power of editing. I had no idea that it was going to be the soap drama that it was, but I picked up on that pretty quickly.
Me and my family, we sort of had this plan to... once we had kids, we had a plan that about every six years we'd move to a new country. So, when we had kids, we moved to Bali for six years, then we went to Australia for six years.
It was sort of in the jam-band era and it was at the Capitol Theatre in Port Chester [New York], right where I grew up. I actually went back there a couple years ago when I was on tour for Kroll Show. I performed at that theater, which was really cool to go back to the first place I'd gone to a concert.
One moment that changed my mentality was the first time I went to Mali when I was six. Soon after that trip, Barcelona signed me, but when I was there I saw children like me, six years old, who didn't have shoes, while I had the opportunity to fulfil my dream. It shocked me. I was six and I didn't understand.
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