A Quote by David Morse

One year, I went to Cannes with the film 'The Indian Runner' that Sean Penn directed. Everyone else in the film was all the same height, and on the red carpet, when they were taking photos, none of them would stand next to me, and I totally got it.
When the film [Certified Copy] was in the Cannes Festival, I realized that the fact of having it shot in a different culture, in a different language, in a different setting, that wasn't mine and that I didn't belong to, gave me a totally different relationship to the film. When I was sitting in the audience during the official screening in Cannes, I didn't feel that it was my film.
I will say this: the first film that I was on was 'In the Heat of the Night', that Norman Jewison directed with Sidney Poitier. I'm on the set, and I'm totally taking it for granted. Everyone is working for everyone else and pulling for the very best, and it makes everyone better because you feel that effort and concern and appreciation.
When I was a teenager, the actors I was really into were Mickey Rourke and Sean Penn. I saw 'Rumble Fish' on my 16th birthday, and around the same time, it was 'Falcon and the Snowman' and 'Bad Boys' from Sean Penn.
There I was at 'The Tree of Life' premiere, holding hands with Sean Penn and Brad Pitt. That walk down the red carpet was a real rite of passage for me. Suddenly, journalists began asking, 'Who's this actress?'
I love the Cannes Film Festival. From the lavish parties and events to the red carpet attire, this star-studded week-long event is where I get a lot of inspiration for hair and fashion.
I quite like that people tend not to know my name. I remember being at the Cannes film festival for 'All or Nothing.' I looked very different in the film - I had a little greasy bob and no makeup. I went to a dinner after the screening, and everyone completely ignored me. I got a real buzz out of that.
I've always been drawn to stories involving brothers, which started with my first viewing of Sean Penn's, 'The Indian Runner.' This subsequently lead to my working with my two brothers, Scott & Brad. I couldn't imagine a greater gift in the business.
I think my recognizability ebbs and flows. I don't lead a particularly celebrity lifestyle or anything like that. I don't go to showbiz parties or red-carpet events, so it all depends on whether I've got a film out. I've not been very visible in the last year or so and as a result hardly anyone stops me in the street.
Everybody said that a film that funny can't win because normally your Cannes winner will be something more serious. It's not very often that a film that's bordering on comedy has won in Cannes.
When I met Bono at the Cannes Film festival while I was there for the film 'United 93,' he said to me, 'That's a great film, brother. Thank you for your courage in making it.' I plotzed.
I grew up loving film and television. Film, in particular. I would never feel as inspired - it's sort of the same for music with me as well, but I never got the same kind of feeling with music as I did with watching film.
For me, two of my favourite science fiction films are Blade Runner, which is fantastic, and Terry Gilliam's Twelve Monkeys. Both of those were smart science fiction films hitting more of a medium budget, and I desperately hope there is an audience for that kind of film because I would love that to be my next film, on that kind of scale.
When I was 20 years old, my uncle was an arthouse distributor, and he would take me to Cannes every year to work as a film scout.
I actually remember getting asked when we were at the Cannes Film Festival, what I expected to do next. I remember feeling like there was no way I could've imagined that something like Tetro would have happened to me.
My favorite film is "Meshes in the Afternoon," a short avant garde film directed by Maya Deren. This was the first film that I saw that was actually directed by a woman.
I directed 'Death in the Gunj' which released in 2017. It got very good reviews and a few awards but did not do well at the box-office. But I'm not bothered. I made the film that I wanted to make. It was not a film for everyone.
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