A Quote by David Moyes

We have played a very good side, playing at the sort of level we are aspiring to. We need to come up a couple of levels ourselves because at the moment we are not there. — © David Moyes
We have played a very good side, playing at the sort of level we are aspiring to. We need to come up a couple of levels ourselves because at the moment we are not there.
A very good side playing at the sort of level we are aspiring to.
At Valencia I was playing a high level every week and I improved a lot. I was under pressure in a good way, I played in a team which played very good football with an explosive counter attack.
Playing and fun are not the same thing, though when we grow up we may forget that and find ourselves mixing up playing with happiness. There can be a kind of amnesia about the seriousness of playing, especially when we played by ourselves.
I still have a thorn in my side at not having played for Real Madrid or Barcelona, because playing there is a dream for every player. But I consider myself very satisfied to have played for the best teams in Italy.
I wasn't very good as a puppet. A lot of times in a movie, you need a really good puppeteer: you're sort of a puppet, and you're doing what you can. But I always, from the beginning, was kind of making up my own stuff from stand-up and sort of directing myself, so I wasn't very good in movies where I didn't have control.
There is a common mistake people make. They say, 'We need to play the young English boys.' Of course, but only if they are good. How can you measure that? If they are playing with good players and if they can fit into the level of the good players. That's why, because of the level of the Premier League, England has so many talented players.
Even my parents sort of went along with the assumption that they were a good couple, but they probably weren't a very good couple.
It is so difficult when you are out for a year, not just because you are not playing, but because other players are still playing. They are in competition all the time, so when you come in again and try to play them at the same level, with the same intensity, it is very hard.
We come into relationships often very much identified with our needs. I need this, I need security, I need refuge, I need friendship. And all of relationships are symbiotic in that sense. We come together because we fulfill each others' needs at some level or other.
The moment that we realize our attention has wandered is the magic moment of the practice, because that's the moment we have the chance to be really different. Instead of judging ourselves, and berating ourselves, and condemning ourselves, we can be gentle with ourselves.
I did, like, a couple of sexier videos, because all of a sudden I went, 'Wow, I have a body. I have this side of me that I haven't shown yet.' And I started kind of playing around with that side of things.
I think as technology and expertise makes possible these sort of amazing levels of fidelity to the real world, a lot of people sort of get sort of - what's the word I'm looking for - seduced into that. And after a time, they get tired of it and they become a little bit more interested, I think at a certain level of subtraction and a new level of sophistication.
I'm very very big on playing sports instead of working with a trainer. I've tried sort of everything and I've come to the conclusion that I need to play tennis or throw a softball or walk with friends.
The world is made up of good and evil, and everybody has their own take, and everybody thinks they are on the good side, and a very few, select group of us will admit that we come from the dark side.
Playing Sally McKenna was a wonderful, freeing thing because we all in life have so many responsibilities to ourselves, to other people, that we rarely get to explore a very selfish side of ourselves in doing what we want, when we want, how we want, without answering to or being responsible for anyone else.
I've never been in the position where that conversation is a serious conversation before the movie even comes out. On one side of it, that's so great because you've got such great potential. The other side of that is that there's a level of pressure. Now, that clearly means that there's an expectation level, from the studio side, potentially from the audience's side, and from our side.
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