A Quote by David Moyes

In England, I always liked the way Terry Venables worked. — © David Moyes
In England, I always liked the way Terry Venables worked.
Terry said he had this new kid and his wife didn't want to live in England. He wanted to tour. He hated being in the studio. Terry liked seeing various bars the world over and getting smashed out of his brain. He was a sort of latent Keith Moon.
I've known Mark Hughes for half a lifetime. We joined Barcelona in the same summer of 1986, played together under Terry Venables and Luis Aragones, and have kept in touch ever since.
That's a wise substitution by Terry Venables: three fresh man, three fresh legs.
I've known John Toshack a long, long time because I grew up with his son Cameron. If he was English, there is no doubt that he would be mentioned in the same breath as someone like Terry Venables.
I like the unknown. That's what Terry Malick has always really liked. He's always looking for the unexpected.
All my way through college, I worked my way as a window dresser for Lord & Taylor, so I always liked fashion. I always loved fashion and I love that we can do it and not take it seriously.
Terry's mother worked in the film industry for many years. She always wanted him to marry an actress.
I've always liked the Muppets. I watched 'The Muppet Show' in England every week as a child. The show was originally broadcast in England.
It always sounds kind of trivial, but when I was a kid I was always so impressed by how serious the comic books were. I always liked how they were half way between literature and the cinema. I liked the visuals and I liked the simplicity of a certain type of moral dilemma.
I've always liked England.
I liked just being with you. I liked the way you breathed when you were asleep. I liked when you took the champagne glass from my hand. I liked how your fingers were always too long for your gloves.
I was always told that the Premier League would suit my playing style, and England has always attracted me. Ever since I was a child, I always wanted to come here so much so that I learned the language, so I was preparing myself in some way for a future move to England.
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
One curve I'll always remember was when I was pitching for Pittsburgh. Terry Kennedy was a young player with St. Louis. I threw him an 0-2 curve and it snapped. Terry's reaction was to swing straight down, like he was chopping the plate with an axe. It was the last out of the inning. After I ran off the mound, I looked over at the St. Louis dugout. There were players rolling around on the floor, laughing. Poor Terry. I'll have to admit that was a hell of a curveball.
I liked the theater. I liked the people. I liked the time that we worked.
My idol was Terry Bradshaw, but my role model was my father because I saw how much he worked and how much he focused on his trade. I was brought up the right way.
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