A Quote by David Moyes

We had a really good club at Everton who gave me the opportunity to do the job the way I felt it needed to be done. — © David Moyes
We had a really good club at Everton who gave me the opportunity to do the job the way I felt it needed to be done.
When I spoke to Everton, the plan, the project, the history of the club was interesting. If I didn't see ambition in Everton I wouldn't come to Everton and that's maybe a good message to all of the players.
Everton fans don't just come to watch the football. They are there for Everton, the club. They really believe in the history of the club.
I had become a bit spoiled or complacent at Sporting and I needed a kick up the backside, which is what Everton gave me. It was quite tough going to an unfamiliar place where I didn't know anyone at first.
And what better way to reinvent the form than to toss virtually 99% of everything that's been done with it and start with a brand-new canvas, reinvent it from the ground up? Digital comics gave me the opportunity to do that, and producing things digitally gave me the opportunity to do that.
Wenger gave me the opportunity to be where I am today. He's a coach that helped me a lot, who gave me a chance, who's always been there for me in the bad moments. He called me, consoled me, gave me good advice, told me what I had to do to become a great player. I can only thank him.
I really want to go to a club that really wants me. Southampton gave me that opportunity, and it paid off, I think.
Music is my life. The last job I had, I was a bricklayer's apprentice. And I was happy with that job, too, because it was something that made me feel good. To build a wall for the side of a building felt really good to me.
I had very good talks with Leipzig. I felt that the club really wanted me.
The job at Everton was so good. I worked for a great chairman, great people at the club.
Doing 'All Good Things' really felt like I was acting for myself rather than anyone else. It gave me a freedom I'd never had before, or knew I had, to do whatever I want to, and to argue my opinions and not just feel like the cute girl on set or the girl in a boy's club. I figured out how I could be both. And it's been different ever since.
The great opportunity with Deadman was that you had a character that nobody had really done anything with - Arnold Drake and Carmine Infantino created the character, which is terrific, but Carmine only did one issue with him - and it gave me a chance to do things that I hadn't seen done in comics all of my life.
I've done a nude scene and I felt it was appropriate to the storyline and I thought it was done in a respectful way and I felt comfortable doing it. But there are obviously going to be scenarios - not necessarily in this job, but in other jobs to come - where the question will be posed to me 'Will I want to do nude scenes?' and I would have to consider that as its own thing. And not just something to say yes to because I have done so before. It really is circumstantial.
I'll never forget my time at Banfield. It is a club that gave me everything and gave me the opportunity to become a man and a player.
I did not want to be mistreated, I did not want to be deprived of a seat that I had paid for. It was just time… there was opportunity for me to take a stand to express the way I felt about being treated in that manner. I had not planned to get arrested. I had plenty to do without having to end up in jail. But when I had to face that decision, I didn't hesitate to do so because I felt that we had endured that too long. The more we gave in, the more we complied with that kind of treatment, the more oppressive it became.
It felt good doing a physical job, and going home each evening feeling like I had really done a day's work.
I would never have left Everton for anybody but an ambitious football club. And I thought Manchester United would have given me that opportunity.
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