A Quote by David Nalbandian

Sometimes the ATP puts a lot of pressure on the players and sometimes you get injured because you play on a dangerous surface. Nothing happens, no one pays for that.
There are times when new players replace injured players in the national squad. Since the new players don't have enough experience and match practice at the international level, they seldom play under a lot of pressure.
Sometimes offensive players get turned into defensive players, which sometimes isn't a bad thing, but for me I need a chance to play more offense.
You don't look back along time but down through it, like water. Sometimes this comes to the surface, sometimes that, sometimes nothing. Nothing goes away.
Sometimes I wonder if I shouldn't leaving being musician because I use to like it when noone came to see me playing, because I didn't feel any pressure. I can enjoy myself and probably play better. Sometimes when I play, people expect something of me, and I'm not always able to to that. Quite often. So I get totaly nervous
I play with a lot of emotion because I'm a passionate guy, and I play with that passion. I love playing that way. Sometimes you're late onto the ball, sometimes you're not. Sometimes you make contact with the guy when you tackle him, sometimes not. It's a sport where individual duels are vital, so I don't see it as a problem.
Plants grow most in the darkest hours preceding dawn; so do human souls. Nature always pays for a brave fight. Sometimes she pays in strengthened moral muscle, sometimes in deepened spiritual insight, sometimes in a broadening, mellowing, sweetening of the fibres of character,—but she always pays.
I do think it's dangerous when you are overly secularizing, and sometimes you get very smart, and sometimes [you] gain a lot of smarts, but you lose a lot of wisdom.
I try to maintain an even tempo in all the games. Sometimes you play well and sometimes you get out. When you get out, you feel it is a wrong shot. Most players in tough situations play shots that could be out, but over time you refine that and give yourself the best chance of performing, the more you play in such situations.
One time, I got to go play with lion cubs in Johannesburg. It was amazing. But it's difficult when you're on the road. We're always playing tennis, and there's a lot of pressure. So sometimes you don't get to do the things you'd like to do, because the priority is tennis.
A player can have all the quality and everything it takes to play for a big-six team or to play for the best teams in the world but then sometimes it happens and it doesn't work out. It's not because of the player or the club, sometimes it's just the environment, it's the wrong timing.
When you play a big server, you are under enormous pressure on your own serve because you cannot afford to be broken. That causes a lot of players to panic: you see double faults or tentative serves. It's all in the mind, but it still happens.
I sometimes get tired because I can seldom read a book for pleasure. I'm like the play reviewer who happens to go to a play on an off day and can't help but view it critically.
I think you could say that, a lot of players are insecure and sometimes we have this shield around us that we don't want to accept that we have problems sometimes or we don't know how to do things because we're these superheroes.
As players, we only get opportunities when players get injured and you never want to see anyone get injured.
When you play against top players, sometimes you can play - you can play your utmost and you still get beat.
Sometimes you're a psychiatrist and sometimes you're a group therapist. The dynamics in between people and the misgivings sometimes that artists have when they get into the studio because they're under a different level of scrutiny. A lot of them can be insecure about it. My job is not simply to make musical determinations but sometimes to just keep people from flipping out during the process.
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