A Quote by David Naughton

I always go with the story and character and if those are good and if the setting is something that's scary (horror films seem to always take place at night and the weather's always bad) then I might be interested.
I've always remembered this quote from a book that I read as a kid. It was something along the lines of "What's scary is not necessarily what goes bump in the night, but that which whispers at midday." And I've always held that. The day can just be as scary as night.
Also, as an author, character has always been what I'm most interested in - much more so than plot or setting, although those are good things too.
I've always been fascinated by horror films and genre films. And horror films harbored a fascination for me and always have been something I've wanted to watch and wanted to make.
What I like about the Carpenter take on The Thing is the fact that it just has so much suspense. It seemed like a different story, with the horror elements. Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies.
Marvel has this tradition, and I think that Sony has this tradition too, of hiring directors for Spider-Man who are dramatic directors. That are directors who are interested in human beings, in characters, in drama, and who are really good with actors. That kind of feels like a Spider-Man director to me. And because Spider-Man is always as big as the films that are being made at Marvel, it always is character and story. You can never take that out.
What is overriding that and most important is that readers generally are interested in a good character. They might be more comfortable with Harry because they think they know him, but they always seem willing to give somebody new a chance.
You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.
You look at the part in '12 Years A Slave,' you finish that script - I mean, it's a powerful story. You go, 'Man, I have to play a bad character in this.' And then you go, 'Well, do I want to play a bad character and contribute to a good story?'
There's always the same amount of good luck and bad luck in the world. If one person doesn't get the bad luck, somebody else will have to get it in their place. There's always the same amount of good and evil, too. We can't eradicate evil, we can only evict it, force it to move across town. And when evil moves, some good always goes with it. But we can never alter the ratio of good to evil. All we can do is keep things stirred up so neither good nor evil solidifies. That's when things get scary. Life is like a stew, you have to stir it frequently, or all the scum rises to the top.
The night has always been my friend. When I go out I feel good, then I always score goals.
Whatever the reason, first place was always Solo, always, always, always, and second place was usually Chewbacca, because if you weren't the one saving the galaxy, you might as well be eight feet tall and covered with hair.
There's always that key to every character that lets you go to those places you need to go to. No matter how much you might hate the character, it makes you understand it.
When you're not playing the hero of the story, then you have to know that you're always a foil for the good guy. I love playing that. I think that's always an interesting place to be.
Horror films in India always have a strong love story.
You have to make an effort to always look at the good side, always think about the good things. Then you've got nothing to be afraid of. If something bad comes up, you do more thinking at that point.
Everybody has their own little thing, but I don't do that. But my wife might take care of my nails or something, but I'm always groomed, I'm always, making sure I smell good.
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