A Quote by David Naughton

I wanted to go to Rome. I got an offer to do an Italian film and I went. — © David Naughton
I wanted to go to Rome. I got an offer to do an Italian film and I went.
In 'Roma,' I wanted to get across the idea that underneath Rome today is ancient Rome. So close. I am always conscious of that, and it thrills me. Imagine being in a traffic jam at the Coliseum! Rome is the most wonderful movie set in the world... As was the case with many of my film ideas, it was inspired by a dream.
I would be delighted to show my film in the Viennale. I do not offer press kits. I do not offer stills. I do not offer screeners. I do not offer DVD's. I do not offer posters. I require a first-class flight to bring the print however I do not offer any photo ops or press exchange in any way. My fee for showing my film is $35,000 dollars US.
We'll go on vacation, but we don't really care to go see Rome or anything. We just want to play dominoes. We like the fact that we can say, 'Oh, we went to Rome.' 'Well, what'd you do in Rome?' 'Played dominoes'.
Truly, I am a woman of the last minute. When I was pregnant, I organised three different hospitals because I couldn't decide where I wanted to have my baby: London, Rome or Paris. In the end, I decided to go to Rome, arrived on the Monday and gave birth on the Saturday.
I had a relationship with an Italian chick that was built on just fighting and sex. As much as all women won't let go of stuff, Italian girls won't let go of anything. And she punched really hard. I got tired of the arguing it took to get to the sex.
'La Dolce Vita' made we want to go to Rome and, if not jump into the Trevi Fountain, at least watch someone else do it. Maybe that's why I married an Italian...!
People who have not done their research on me do not know that I am European, born in Copenhagen, Denmark to an Italian father from Napoli and a mother from Alabama who was singing opera and went to Europe, met my dad, fell in love, and then moved back to Rome, where I was raised, between Rome and Hamburg.
I always wanted 'Sideways' to be like a great 1960s Italian film.
I always wanted to go into film. I love film. I loved growing up in the theatre, but I always wanted to do film all along. But, I still pursue music separately.
I think, to go to the bottom of it all, that the films I have made and my kind of film-making is a hybrid type of film-making - in that it isn't American, it isn't Italian.
I knew if I got an offer from Alabama, that's where I wanted to go... just because I liked what they stood for. I liked that they were winning.
In 1993, my first documentary was about the civil war in Algeria. That was in French and in Arabic. Another short film I did was silent. What I'm trying to say is that, yes, I'm Italian, and yes, I make films with Italian money, but personally, I've always been invested in the broader world of film-making.
We were raised in an Italian-American household, although we didn't speak Italian in the house. We were very proud of being Italian, and had Italian music, ate Italian food.
I really had wanted to learn Italian for a long time. I think ever since - or even maybe even before I had read Dante. And I just sort of had this idea that I wanted to read Dante in Italian. And then in my office, we actually had a class - an Italian class.
I am happy that I got an international offer by a French director but I won't be able to take part in his film as he wanted me exclusively for two years. As I am getting many offers from Bollywood and the television industry, I won't be able to do it.
One week after moving to Rome, I started writing in my diary in Italian.
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