A Quote by David Nevins
I like stories with a collision of disparate tones. Look at 'Shameless' or 'House of Lies'. They go from big, silly, and comedic to very real dramatic moments in the wink of an eye.
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I love attempting to play real people. I like to try and have dramatic moments as well as comedic moments, and my favorite thing is when those two lines are blurred.
You get to have some bigger comedic moments with some very real dramatic stuff. All that in one makes for a fulfilling artistic job.
'Revenge' is a shameless soap in the style of Eighties shoulder-pad slap-offs like 'Dallas,' 'Dynasty' and 'Falcon Crest.' Yet there's no wink-wink camp.
I'm a minimalist: For a day look, I like earth tones,and at night I go with kohl and a smudgy black eye.
Mike and I like a balance of tones. We never set out to make an overtly silly show or an overly serious dramatic show.
The best way to describe my work is comedy in a very, very real way. I'm not scared to look silly on camera. I take everyday situations we all go through and put a very real twist on it - things people can relate to.
People love miracle stories and dramatic moments of transcendence or transformation, and may then pursue their own dramatic "awakenings."
I'm really silly. That's the thing that people don't get. I think I'm a stronger comedic actress than I am a dramatic actress. I'm not really pigeonholed, but I'm known for drama. I do comedy so easily, and people relate to my humor. I'll be glad because I don't have to stay sexy and young forever. I don't care if I'm big, as long as I'm funny.
I do think, oddly, that a comedic actor has a better chance of pulling off a dramatic role than a great dramatic actor has of being able to pull off a highly comedic role.
My wife and I have our date nights. We love the Showtime shows like 'Shameless,' 'Homeland' and 'House of Lies.' And of course, 'Scandal' is high on the list; you've got to do 'Scandal.'
I look very different on camera compared with how I do in real life. On camera, I look my best when everything is enhanced, especially my eyes - I like a smoky eye. In real life, I like myself best in tinted moisturiser, lip balm and mascara.
If you look at anything, there are always comedic moments.
If I go anywhere where there are people who vaguely look like me, there is always that feeling of, 'Actually I do look quite similar to everyone else.' At moments like that, I become very, very British. My accent gets more clipped, and I stride around as if I've got an empire.
There are moments, moments of fun but it's never necessarily a wink/wink. It's just interesting and odd and crazy things happen inside the world just like a crazy thing happened inside our world. So we don't shy away from that stuff. We take semi-ordinary characters, even though they have their own skill sets, we take those guys and we drop them into extraordinary situations and watch how the get out of them.
The great amount of fun that I have is I can cast dramatic actors to play comedic roles, and I can cast comedic actors to play dramatic roles because, really, there's no such thing. There's just actors.
Stories--individual stories, family stories, national stories--are what stitch together the disparate elements of human existence into a coherent whole. We are story animals.
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