A Quote by David Newman

I want to write theater pieces, opera, or some kind of amalgamation where there is singing, music and theater. — © David Newman
I want to write theater pieces, opera, or some kind of amalgamation where there is singing, music and theater.
I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera.
I'm constantly involved in theater, looking at theater, trying to do work in theater, support theater. And that's kind of my creative passion.
I've always been singing. Since day one. I started doing musical theater and you have to sing in musical theater and so that's where I got most of my training. So singing on stage, you just inevitably, when you're around other vocal artists, you get better at singing.
I want to keep working. I want to step away from young adult fiction. I want to do theater periodically - Farragut North reminded me how great it is. I started out in theater. I trained in theater and then I kind of fell into film and TV. I want to work with interesting artists, talented actors, talented directors, and talented scripts. Not necessarily leading roles.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
I looked at theater, in the sense that theater is unmanipulated. If I want to pay more attention to one character on stage than another, I can. I think there's not enough theater in film and not enough film in theater, in a way.
I want the type of career where I can come back to theater. Theater is my home. Theater, to me, is like ballet for dancers. It's my foundation.
I expect at some point I'll probably want to go back on stage and do some theater, because I've not done theater in 10 years.
My happiest times in the theater are when I do ensemble pieces. I really got into theater because of that closeness.
I want to do theater and I am looking forward to doing more Television and Movies. I also want to direct some plays in theater workshops for people with disabilities.
I have always been interested in theater, as an actor and as someone who looks upon theater - at the risk of sounding pretentious - as an icon by which we measure society... My life has been in the theater to an extent. It's only an extension to write, direct, produce, whatever.
I think wrestling is the one that presents theater for people who want to see some theater but don't necessarily have to dress up or be quiet while they're watching.
The condition of the theater is always an accurate measure of the cultural health of a nation. A play always exists in the present tense (if it is a valuable one), and its music -- its special noise -- is always contemporary. The most valuable function of the theater as an art form is to tell us who we are, and the health of the theater is determined by how much of that we want to know.
I really think that people who want to think more serious have to go and watch theater. Theater is a very sterilized art form. Not as much as music, but very close to music.
I went to theater school in France, and when I finished I thought I would never go back to acting again. I don't want to be acting in theater. It's not for me. I'm sick of all this theater world, all these actors, and all that.
Out of nowhere, I became a fairly well-known director with a penchant for opera, which I did for 10 years. Then I realized I was taking myself out the theater channel, and so I re-focused on theater.
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