A Quote by David Newman

I had no interest or intention of ever writing music. I was a professional violinist in my 20s. I was obsessed with conducting, and I was conducting as much as I could, and I was studying as much as I could. I went to USC; I got an undergrad degree in violin and a master's degree in conducting.
I have a degree in music, yeah, from the University of Montana. I studied voice and composition and conducting and all that.
Conducting is a natural way to participate in one's own music. Almost every 19th-century composer Mendelssohn, Mahler was conducting or playing his own music. Mozart did both.
The art of conducting consists in knowing when to stop conducting to let the orchestra play.
and, unlike the celebrated herd in the poem, they were not forty children conducting themselves as one, but every child was conducting itself like forty.
Dalai Lama is transforming those criteria - and the whole way of conducting politics. He's conducting politics in a much deeper way than most politicians are able to. He's the only politician I know of who's a monk. The Pope, of course, is in a similar position, but the Pope isn't in the same way leading a country of many million people.
It is true [the risk for travel is greater] for we now operate in a global market. Business travelers are conducting business all over the world as if they are conducting business in their own backyards.
The choice is not between conducting the stem cell research or not conducting it. That is not the choice.
When I started, I'd never had a conducting lesson in my life; I could just do it.
I did the one concert, and I was not bitten by the conducting bug, and I thought I was done, but then the phone started to ring, and gradually, over time, I started conducting more and more. Now a third of my performances are with orchestras.
Conducting is a strange thing to teach. There are very few great conducting teachers, and most great conductors don't teach. Look at Valery Gergiev - what he does is not teachable. A lot of it is on-the-job training, what works and what doesn't work.
I don't mind conducting the orchestra if I can play the violin.
I'm trying to be expressive on my instrument and conduct as I'm improvising. So I'm conducting with the melodies and the rhythms that I play. And so it's a very organic way. It's a lot like Charles Mingus played, cuing people in from what you play and how you play it rather than standing in front of a band, conducting and pointing.
In my mid-twenties, I was with a conducting career, but I had never been to university and I wanted to. There were things I wanted to study in depth. I also wanted to see if I could survive without music.
My music wouldn't sound the way it does if I hadn't had the experience of conducting.
These things - the degree of vulnerability, the degree of skill, the degree of the longing to give - are influx all the time, And to lump all that under the word "creativity" assumes something much more static than it is. That's why an artist may be marvelous in her 20s, and be creating automatic crap in her 40s. A writer may be trivial in his 20s, and be writing incredibly in his 50s, because those things are always in flux.
My idea was to go to Vienna to study conducting and perhaps play in an orchestra first, so I thought before I got to Vienna I could do with a little training in Paris.
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