A Quote by David Nicholls

It's the face itself that I love, not that face at twenty-eight or thirty-four or forty-three. It's that face. — © David Nicholls
It's the face itself that I love, not that face at twenty-eight or thirty-four or forty-three. It's that face.
I hear poets complaining: 'We face what our forebears did not face. We face TV. We face radio. We face this and that.'
I am also four, and twelve, and fifteen, and twenty-three, and thirty-one, and forty-five and . . . and . . . and . . .
Robert Pattinson has the face of a film-noir dupe. It's a face that is searching and open and kind. It's a face that a certain type of woman might want to fool because, in its intensely old-fashioned kindness, the face says, I love you. Fool me.
The face you have at age 25 is the face God gave you, but the face you have after 50 is the face you earned.
Because makeup happens in my life as an actor, face wash is a key. I use La Mer cleansing gel every morning, every night, sometimes three times a day. Also, I use Bobbi Brown's Hydrating Face Tonic that you put on after you wash your face. It just rejuvenates your face. It takes away that morning face.
Before I go to bed I clean my face with a cleansing milk and cotton pads and then wash my face thoroughly with a foamy face wash. I apply a calamine lotion on my face and a medicated moisturizer on my face and neck. I repeat the same procedure after I wake up in the morning.
What I want to achieve, what I have been striving and pining for these thirty years, is self-realization, that is, to see God face to face.
Beauty is only skin deep. I think what's really important is finding a balance of mind, body and spirit. Someone said to me not too long ago, "Until you're twenty, you have the face you are born with, and after that you have the face you deserve", and I really loved that - the idea that you wear who you are on your face.
So I suppose I do not know how he really looked, and, in fact, I suppose I shall never know, now, for he was plainly an object created in the mode of fantasy. His image was already present somewhere in my head and I was seeking to discover it in actuality, looking at every face I met in case it was the right face - that is, the face which corresponded to my notion of the unseen face of the one I should love, a face created parthenogeneticallyby the rage to love which consumed me.
I'm forty-nine but I could be twenty-five except for my face and my legs.
I have never had a pair of knickers sent in the post. I've had jams, lemon drizzle cakes, West Ham football shirts and footballs and books. I've had pillowcases with my face on, tea towels with my face on, face flannels with my face on, towels with my face on.
Nature gives you the face you have at twenty; it is up to you to merit the face you have at fifty.
If you feel well and happy, your face will reflect this, but if you are down in the dumps and having a miserable time, your face will soon show this, too. In fact, you get the face you deserve by the time you're forty, and one of the keys to looking and feeling younger is being active.
A man has more character in his face at forty than at twenty - he has suffered longer.
With a face like this, there aren't a lot of lawyers or priest roles coming my way. I've got a face that was meant for a mug shot, and that's what I've been doing for the past thirty years.
It all stems from the same thing - which is that when we are face to face - and this is what I think is so ironic about Facebook being called Facebook, because we are not face to face on Facebook ... when we are face to face, we are inhibited by the presence of the other. We are inhibited from aggression by the presence of another face, another person. We're aware that we're with a human being. On the Internet, we are disinhibited from taking into full account that we are in the presence of another human being.
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