Unlike the issue of messiahhood, which arose when Jews and Christians were members of the same religio-political community and spoke the same conceptual language, the issues of the incarnation and the Trinity divide people who are no longer members of the same community and who no longer speak the same language.
We are driven by the same fears and the same loves and the same ambitions and the same desires, whatever language we speak.
...the characters in my books all resemble each other. They live, with minor variations, the same moments, the same perils, and when I speak of them, my language, which is inspired by them, repeats the same poems in the same tone.
After all, when you come right down to it, how many people speak the same language even when they speak the same language?
People who share the same language, French or Chinese or whatever, have the same vocal cords and emit sounds which are basically the same, as they come from the same throats and lungs.
The Germans and I no longer speak the same language.
In places in the world where we don't speak the same language, or even understand that we pray to the same God, we dance to the same beat, that is the ONE.
Everywhere I have gone in the world, even though we don't speak the same language, food is the same language.
If we write our laws and design them around the most privileged members of society, i.e., billionaire football team owner, then we forget about the people who don't have the same resources to make an appeal, to fight a wrongful accusation. Those tend to be members of the LGBT community and people of color because those are the people who tend to engage in the work of reappropriation to subvert discrimination. And yet those are the same ones being denied, based on their own identities.
If a novel is written in a certain language with certain characters from a particular community and the story is very good or illuminating, then that work is translated into the language of another community - then they begin to see through their language that the problems described there are the same as the problems they are having. They can identify with characters from another language group.
In the 16th and 17th centuries, most people in Britain lived in small village communities. They knew all their neighbours. They dressed alike, and almost all were white. The vast majority belonged to the same religion and spoke much the same language.
When I sit down with filmmakers, I feel like we speak the same language in a lot of ways. We watch the same movies and have the same influences. If anything, it creates a dialogue that makes my work more effective.
The language in a comic book or a graphic novel and the cinematographic language are really not the same language. They are false brother and sister. It's not at all the same.
In my early writing, all of my characters were exactly the same person. They all spoke the same, made the same types of jokes, reacted the same, etc. I think they were all just me in disguise.
The surest sign that two people no longer speak the same language is that both say ironic things to one another but that neither senses the irony.
If you learn the language of loss early, I think you seek out others who have experienced the same thing, who speak that same language of loss.
God has to speak to each person in their own language, in their own idioms. Take Spanish, Chinese. You can express the same thought, but to different people you have to use a different language. Its the same in religion.