A Quote by David Nutter

All I know is I've had an overall deal with Warner Brothers Television since the 'Smallville' pilot; that was my first pilot for Warner Brothers Television. I have to do pilots for them, but I get a chance to spend time and find the people that work best with me.
For my very first movie, 'Roger and Me,' I made it as part of my deal with Warner Brothers that the four people that were evicted in that film, that Warner Brothers would house - would pay their mortgage or their rent for the next two years to give them a chance to get on their feet.
The 'Smallville' pilot is the one I get a lot of attention for. I did a couple of earlier ones, but the 'Smallville' pilot is the one that got things really rolling.
The parallel we like to make.... is the idea of becoming the next Warner Brothers, which is a company that creates the content, but they also produce the content. They also distribute; they also market. So we say that because Fine Bros. and Warner Brothers is fun to say.
CNN? Oh, that's that network with Larry King, who, like the Son of Sam, is a native of Brooklyn. Used to be owned by Ted Turner, who, like the Cincinnati Strangler, is a native of Cincinnati. Now part of Time Warner, founded by the Warner Brothers, the oldest of whom, Harry Warner, like many Auschwitz guards, was a native of Poland.
I worked in television; I'm the Failed Pilot Queen, I've done so many television shows, pilots, theater ... when you do it for so long, I'm telling you, you get to the point where it becomes varied because you take what's available for a number of reasons. It's just an occupational hazard.
I was cast as the lead in a Warner Bros TV pilot and was immediately told I needed to lose weight. I got a bit weird about food for the first time in my life, and I thought, 'You know, this just isn't the life for me.'
When I was getting started, I was so busy just fighting my way through, and I was under contract at Warner Brothers. I did 40 hours of color television with the late Robert Taylor as a young cop.
Warner Bros. got into television very early, so I did a lot of television there. In the beginning, it was sort of okay to do television. But then it became this thing where movie actors didn't do television - they certainly didn't do commercials, because that just meant the end of your career.
The Canary Islands offer special incentives to companies looking at potential filming locations, so it was only logical for me to help the local government make connections with major U.S. film studios like Universal, Fox, Sony, Disney, Paramount, Time Warner, 21st Century Fox, CBS, Viacom, Comcast, HBO, Netflix, Warner Brothers etc.
My first pilot gig, in fact my first job in television, was 'Freaks and Geeks,' and the experience of directing that pilot was probably the single most formative of my directing life.
My first pilot gig; in fact my first job in television; was 'Freaks and Geeks,' and the experience of directing that pilot was probably the single most formative of my directing life.
If there was no Hollywood, no next movie, no deal at Warner Brothers, no place in Malibu or Venice, I would still be really happy.
There is no such thing as a natural born pilot. Whatever my aptitudes or talents, becoming a proficient pilot was hard work, really a lifetime's learning experience. For the best pilots, flying is an obsession, the one thing in life they must do continually. The best pilots fly more than the others; that's why they're the best. Experience is everything. The eagerness to learn how and why every piece of equipment works is everything. And luck is everything, too.
The reality of television production now is that all the development money and pilot money now goes to the Internet so they can try to get pilots cheaper, than if they were producing them for television. I understand, it's a business, but what's great about doing it on the web, and one thing that attracted me is the amount of creative freedom that you do get with the web. That's the only advantage of there not being a lot of money involved, is that you're really able to write and do what you want... because there's not a lot of money involved and not money at risk.
I had never worked in television before 'Freaks and Geeks,' and 'New Girl' is the first time since that I've worked on a series that is actually a series and not just a pilot.
I remember telling the head of Warner Brothers that if they'd just make a video for 'Ol' Red'... and if it didn't work, they could drop me from the label.
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